The bar-room closes at midnight, provided there are enough people in it. If there is not a quorum the proprietor waits for a better chance. A careful closing of the bar will often catch as many as twenty-five people. The bar is not opened again till seven o'clock in the morning; after that the people may go home. There are also, nowadays, Local Option Hotels. These contain only one entrance, leading directly into the bar.
An Experiment With Policeman Hogan
Mr. Scalper sits writing in the reporters' room of The Daily Eclipse. The paper has gone to press and he is alone; a wayward talented gentleman, this Mr. Scalper, and employed by The Eclipse as a delineator of character from handwriting. Any subscriber who forwards a specimen of his handwriting is treated to a prompt analysis of his character from Mr. Scalper's facile pen. The literary genius has a little pile of correspondence beside him, and is engaged in the practice of his art. Outside the night is dark and rainy. The clock on the City Hall marks the hour of two. In front of the newspaper office Policeman Hogan walks drearily up and down his beat. The damp misery of Hogan is intense. A belated gentleman in clerical attire, returning home from a bed of sickness, gives him a side-look of timid pity and shivers past. Hogan follows the retreating figure with his eye; then draws forth a notebook and sits down on the steps of The Eclipse building to write in the light of the gas lamp. Gentlemen of nocturnal habits have often wondered what it is that Policeman Hogan and his brethren write in their little books. Here are the words that are fashioned by the big fist of the policeman:
"Two o'clock. All is well. There is a light in Mr. Scalper's room above. The night is very wet and I am unhappy and cannot sleep—my fourth night of insomnia. Suspicious-looking individual just passed. Alas, how melancholy is my life! Will the dawn never break! Oh, moist, moist stone."
Mr. Scalper up above is writing too, writing with the careless fluency of a man who draws his pay by the column. He is delineating with skill and rapidity. The reporters' room is gloomy and desolate. Mr. Scalper is a man of sensitive temperament and the dreariness of his surroundings depresses him. He opens the letter of a correspondent, examines the handwriting narrowly, casts his eye around the room for inspiration, and proceeds to delineate:
"G.H. You have an unhappy, despondent nature; your circumstances oppress you, and your life is filled with an infinite sadness. You feel that you are without hope—"