Isolde would wander forth from the castle at earliest morn, with the name of Guido on her lips. She told his name to the trees. She whispered it to the flowers. She breathed it to the birds. Quite a lot of them knew it. At times she would ride her palfrey along the sands of the sea and call “Guido” to the waves! At other times she would tell it to the grass or even to a stick of cordwood or a ton of coal.
Guido and Isolde, though they had never met, cherished each the features of the other. Beneath his coat of mail Guido carried a miniature of Isolde, carven on ivory. He had found it at the bottom of the castle crag, between the castle and the old town of Ghent at its foot.
How did he know that it was Isolde?
There was no need for him to ask.
His heart had spoken.
The eye of love cannot be deceived.
And Isolde? She, too, cherished beneath her stomacher a miniature of Guido the Gimlet. She had it of a travelling chapman in whose pack she had discovered it, and had paid its price in pearls. How had she known that he it was, that is, that it was he? Because of the Coat of Arms emblazoned beneath the miniature. The same heraldic design that had first shaken her to the heart. Sleeping or waking it was ever before her eyes: A lion, proper, quartered in a field of gules, and a dog, improper, three-quarters in a field of buckwheat.
And if the love of Isolde burned thus purely for Guido, the love of Guido burned for Isolde with a flame no less pure.
No sooner had love entered Guido’s heart than he had determined to do some great feat of emprise or adventure, some high achievement of deringdo which should make him worthy to woo her.
He placed himself under a vow that he would eat nothing, save only food, and drink nothing, save only liquor, till such season as he should have performed his feat.