1.—The Art of Conversation
I—HOW TO INTRODUCE TWO PEOPLE TO ONE ANOTHER
Nothing is more important in introducing two people to each other than to employ a fitting form of words. The more usually recognized forms are easily learned and committed to memory and may be utilized as occasion requires. I pass over such rudimentary formulas as "Ed, shake hands with Jim Taylor," or, "Boys, this is Pete, the new hand; Pete, get hold of the end of that cant-hook." In fact, we are speaking only of polite society as graced by the fair sex, the only kind that we need care about.
The Third Avenue Procedure
A very neat and convenient form is that in vogue in Third Avenue circles, New York, as, for instance, at a fifty-cents-a-head dance (ladies free) in the hall of the Royal Knights of Benevolence.
"Miss Summerside, meet Mr. O'Hara," after which Miss Summerside says very distinctly, "Mr. O'Hara," and Mr. O'Hara says with equal clearness "Miss Summerside." In this circle a mark of exquisite breeding is found in the request to have the name repeated. "I don't quite catch the name!" says Mr. O'Hara critically; then he catches it and repeats it—"Miss Summerside."
"Catching the name" is a necessary part of this social encounter. If not caught the first time it must be put over again. The peculiar merit of this introduction is that it lets Miss Summerside understand clearly that Mr. O'Hara never heard of her before. That helps to keep her in her place.
In superior circles, however, introduction becomes more elaborate, more flattering, more unctuous. It reaches its acme in what everyone recognizes at once as
The Clerical Method