By that time, too, the Daintons had scaled an eminence where I could hardly hope to follow them. The "Tickler" and the "Catch" were never wearied of publishing full-length, whole-page photographs of "Sir Roger Dainton, Bart., the popular member for the Melton Division of Hampshire," and Lady Dainton, "who is organizing a sale of work on behalf of the victims of the Vesuvius eruption." If a hospital matinée took place, Miss Sonia Dainton sold programmes; a theatrical garden-party, and she managed a stall; a mission bazaar, and she pinned in fading buttonholes at half a crown a time. And punctually the "Tickler" or "Catch" would depict her at work with her fellows—Lady Hermione Prideaux, all teeth and hat, on one side; and Miss Betty Marsden, the light comedy star from the Avenue Theatre, on the other. And when the last Vesuvius victim had been clothed in crewel work and London had emptied, the indefatigable camera-man would take wing to the country and photograph "Lady Dainton and her daughter at their beautiful Hampshire seat."
Sonia repaid the trouble as well as Lady Hamilton or La Giaconda. And I think if hard work by itself is to be rewarded, Lady Dainton got no more than her deserts. Ex pede Herculem, and I judge her day by the hour she spared for the War Fund. The Committee Meeting was taken comfortably and unhurriedly in her stride. She was at the time a dignitary of the Order of St. John of Jerusalem, a Primrose League Dame, a Visitor to half a dozen girls' schools, the president of several nursing and Needlework Guilds and—I believe—a vice-president of every Girls' Club, Rescue Home, Purity League and Association of Decayed Gentlewomen in the kingdom. Lady Dainton was one of those women who accumulated arduous and unpaid offices as dukes collected directorships in the golden days of the company-promoting 'nineties. What is more, she worked hard at all of them. When I think of her hurrying from Committee to Prizegiving, and from Prizegiving to Sale of Work, I almost cease to regard woman as man's physical inferior, though I may still wonder how far the world's general welfare would have been retarded had she remained at home with her feet on a sofa and a novel in her lap.
I certainly think Sonia would have lived happier if she had never set foot in London. Her personal success went to her head, and it took ten years of three lives and a war at the end to sober her and restore some sense of perspective. "You can give corn to thoroughbreds," my uncle would begin—and then I usually changed the subject. A woman, in Bertrand's Oriental eyes, was the plaything of so much sexual passion, irresponsible and unsafe until she was veiled and married, and even then perverse and unbalanced.
"To a man, sex is an incident," he would say; "to a woman, it's everything in this world and the next. You are too full of idealism, George. You pretend man's perfectible, that woman's got a capacity for disinterested self-sacrifice. You'll outgrow that phase, my boy; you'll find that with all our inventions and discoveries and religions and philosophies and civilization and culture, we're devilish little way removed from the beasts. That young woman—I mention no names if it's a sore point with you—may turn into an admirable mother, but as an unsatisfied beast of prey.... My dear boy, it's not her fault, and you and your friends have contributed to make her what she is."
Contributed, perhaps. But, if not her fault, neither was it ours, but the fault of Society and human nature, the action and reaction of the sexes. As the year drew to its close I was too deeply immersed in politics to watch the social comedy, but in the summer and autumn there was little else to do. For five months I observed the psychological development of a girl who was physically attractive—and nothing more: not gifted, not clever, not accomplished, of no spiritual grandeur—a dainty, brilliant, social butterfly. Sonia was no more than that: I doubt if she ever will be more. Yet men are so constituted that it was enough to assure her triumph.
O'Rane and I observed in company. He was pledged to bear-lead young Summertown through the United States in August and September, and till that time I prevailed on him to leave the industrial conditions of England alone. The emptiness of our life must, I fear, have galled him, and, looking back on it all, I made a mistake in bringing him in view of Sonia and her gaudy fellow-butterflies. Technically they met as old friends without a claim on one another, each free to repent in any given way of their rash early engagement. In practice the liberty was one-sided: the greater Sonia's emancipation, the more critical he became; and Sonia, who was no fonder of criticism than any good-looking girl in her first season, grew first restless, then resentful and finally rebellious. When I said good-bye to Raney at Euston, I felt he was not leaving a day too soon; and this is not to blame him, but to underline the impossible position he and Sonia had taken up.
Before he left I recall a series of indecisive skirmishes. There was, for example, the Covent Garden engagement, in which I was routed. With a misguided idea of friendliness and in an attempt to separate Crabtree and Sonia before the whole of London had coupled their names, I placed my uncle's box at the Daintons' disposal, and, whenever we found an opera we liked, Lady Dainton, Sonia, Raney and I used to dine together either in Princes Gardens or Rutland Gate and drive down together to Covent Garden. O'Rane was a musician; I had an untutored love of music; Lady Dainton, I fancy, felt it was the right thing to do, and Sonia was too overwrought and overexcited to mind what the invitation was so long as she could accept it. Roger Dainton, who rimed 'Lied' with 'Slide,' professed zeal for the House of Commons on such occasions, and on reflection I admire him for his frank Philistinism. With Sonia chattering unconcernedly through "Tristan," and with her mother leaning out to bow to her social acquisitions until I expected every moment to have to clutch her by the heels, the way of the Wagnerian was strait and thorny. But then, as Sonia said, "You come to Covent Garden to see people."
It was in seeing and being seen that we courted disaster. One night, as I was ordering coffee in the lounge, Crabtree attached himself to our party and accompanied us to our box. The next night I found him dining at Rutland Gate, and he asked me—before the soup plates were removed—whether I could squeeze him into a corner; he was prepared, if necessary to stand. And no sooner had he secured a programme than he exclaimed:
'"Il Trovatore!' I love that! To-morrow night, too, by Jove——"
"Well, why...." Sonia began and looked at me.