"It is as thou sayest. A proparoxyton in the third line where an oxyton should have been. I am an old man, broken with the cares and sorrows of this life, but it may be thou wilt live to see a murrain upon the land, destroying the Scribes of Oxford and the Pharisees of Cambridge, and on that day the last Greek accent will be flung headlong into the Pit. Till that day come, thou shalt continue to pay thy tithe of mint and dill and cummin to the monks of Alexandria."
Sinclair stared at him in piteous bewilderment.
"But I never wrote those lines, sir," he protested.
"Small were thine honour, laddie, if thou hadst." He glanced at the topmost of the pile of compositions. "Of the making of blots there is no end. Wherefore I said, 'in thy fairest, roundest hand.'"
He rose to his feet and walked down school, while the rest of us followed a few paces behind. Sinclair made one last attempt.
"Sir, I don't know what an Alcaic is!"
Burgess laid a hand on his shoulder.
"When the sun of yestere'en sank to rest, laddie, I sat in judgement on these verses. And when he rose in the east this morning, lo! I laboured still at my task. Peradventure thou didst write them in thy sleep. Peradventure as in the book of 'Trilby'—nay, laddie, start not! it is no play of Sophocles. But why vex the soul with idle questionings? Should thy feet bear thee to the Common Room, laddie, I pray thee ask Mr. Bracebridge to commune with me in my house. Mine eyes are dim, yet I descry a young man by the steps of the Temple. Thou sayest it is the young O'Rane? Bid him to me, an he be not taken up with higher thoughts. Good night, laddies!"
With an answering 'good night' we dispersed to our houses and left him to walk across Great Court with O'Rane.
"In the third line, laddie," I heard him beginning, "a proparoxyton where an oxyton should have been."