"Forty minutes ago."
I checked him by my watch. "And what now?" I asked.
He looked up at me, looked through me, I might say, and sat staring at the window without answering.
The next two hours were the most uncomfortable I have ever spent. If in old age my guardian angel offers me the chance of living my whole life over again, I shall refuse the offer if I am compelled to endure once again that silent July afternoon. The Seraph sat from four till six without speech or movement. As the sun's rays lengthened, they fell on his face and lit it with cold, merciless limelight. He had started pale and grew gradually grey; the eyes seemed to darken and increase in size as the face became momentarily more pinched and drawn. I could see the lips whitening and drying, the forehead dewing with tiny beads of perspiration.
I made a brave show of noticing nothing. Tea was brought in; I poured him out a cup, drank three myself, and ostentatiously sampled two varieties of sandwich and one of cake. I cut my cigar noisily, damned with audible good humour when the matches refused to strike, picked up a review and threw it down again, and wandered round the room in search of a book, humming to myself the while.
At six I could stand it no longer.
"I'm going to play the piano, Seraph," I said.
"For pity's sake don't!" he begged me, with a shudder; but I had my way.
When the City of Pekin went down in '95 as she tried to round the Horn, one of my fellow-passengers was a gigantic, iron-nerved man from one of the Western States. I suppose we all of us found it trying work to sit calm while the boats were lowered away: no one knew how long we could keep our heads above water and we all had a shrewd suspicion that the boat accommodation was insufficient. We should have been more miserable than we were if it had not occurred to the Westerner to distract our minds. In spite of a thirty-degree list he sat down to the piano and I helped hold him in position while we thundered out the old songs that every one knows without consciously learning—"Clementine," "The Tarpaulin Jacket," "In Cellar Cool." We were taking a call for "The Tavern in the Town" when word reached us that there was room in the last boat.
I set myself to distract the Seraph's mind, and gave him a tireless succession of waltzes and ragtimes till eight o'clock. Then the bell of the telephone rang, and I was told Philip Roden wished to speak to me.