The Mayas, the Sources of Their History / Dr. Le Plongeon in Yucatan, His Account of Discoveries

by Stephen Salisbury

It would be too long to give here the details of my work and investigations. Enough to say, that from the 28th of September, 1875, when I began to study the monuments, up to the 5th of January, 1876, when, learning of the prohibitive laws I have already mentioned, and that on account of the better requirements of the service I was to disarm my men, I interrupted my works; that is to say, in one hundred days I have made scrupulously exact plans of the principal edifices, discovering that their architects made use, in those remote times, of the metrical measure with its divisions. I have made five hundred stereoscopic views, from which I have selected eighty, equal to those that accompany this writing; I have discovered hieroglyphics which I have caused to reappear intact, and taken photographs of some that are said to be a prophecy of the establishment of the electric telegraph between Saci (Valladolid of to-day), and Ho (Mérida); I have restored mural paintings of great merit for the drawing, and for the history they reveal; I have taken exact tracings of the same which form a collection of twenty plates, some nearly one meter long; I have discovered bas-reliefs which have nothing to envy in the bas-reliefs of Assyria and Babylon; and, guided by my interpretations of the ornaments, paintings, &c., &c., of the most interesting building in Chichen (historically speaking), I have found amidst the forest, eight meters under the soil, a statue of Chaacmol, of calcareous stone, one meter, fifty-five centimeters long, one meter, fifteen centimeters in height, and eighty centimeters wide, weighing fifty kilos, or more; and this I extracted without other machine than that invented by me, and manufactured from trunks of trees with the machete of my Indians. I have opened two leagues of carriage road to carry my findings to civilization; and finally I have built a rustic cart in which to bring the statue to the high road that leads from Ɔitas to Mérida. This statue, Mr. President, the only one of its kind in the world, shows positively that the ancient inhabitants of America have made, in the arts of drawing and sculpture, advances, equal at least to those made by the Assyrian, Chaldean and Egyptian artists.

I will pause a moment to give you an idea of my works that concern said statue, and soon bring to an end this writing. Guided, as I have just said, by my interpretations of the mural paintings, bas-reliefs, and other signs that I found in the monument raised to the memory of the Chief Chaacmol, by his wife, the Queen of Chichen, by which the stones speak to those who can understand them, I directed my steps, inspired perhaps also by the instinct of the archæologist, to a dense part of the thicket. Only one Indian, Desiderio Kansal, from the neighborhood of Sisal-Valladolid, accompanied me. With his machete he opened a path among the weeds, vines and bushes, and I reached the place I sought. It was a shapeless heap of rough stones. Around it were sculptured pieces and bas-reliefs delicately executed. After cutting down the bush, and clearing the spot, it presented the aspect which the plates No. 1 and 2 represent. A long stone, half interred among the others, attracted my attention. Scraping away the earth from around it, with the machete and the hand, the effigy of a reclining tiger soon appeared; plate No. 3 represents it. But the head was wanting. This, of human form, I had the happiness to find, some meters distant, among a pile of other carved stones.

My interpretations had been correct; everything I saw proved it to me. I at once concentrated all my attention at this spot. Hunting among the débris, I came across the bas-reliefs seen in plates 4, 2, and 5, which confirmed my conclusions. This pile of stones had been in times past the pedestal that supported the effigy of the dying tiger with a human head, which the Toltecs had thrown down when they invaded Chichen, at the beginning of the Christian era.

With great exertion, aided by levers, my ten men again put these bas-reliefs in the place they anciently occupied, and which plate No. 1 shows.

Resolved to make an excavation at this spot, I commenced my work at the upper part of the heap. I was not long in comprehending the difficulty of the task. The pedestal, as in all the later monuments which were raised in Chichen, was of loose stones, without mortar, without cement of any kind. For one stone that was removed, a hundred fell. The work was hence extremely dangerous. I possessed no tools, nor machines of any description. I resorted to the machete of my Indians, the trees of the forest, and the vines that entwine their trunks. I formed a frame-work to prevent the falling of the stones.

This frame-work appears in plates 6, 7 and 8. It is composed of trunks of trees of two to two-and-a-half inches in diameter, secured with vines. In this way I was able to make an excavation two meters, fifty centimeters square, to a depth of seven meters. I then found a rough sort of urn of calcareous stone; it contained a little dust, and upon it the cover of a coarse earthen pot, painted with yellow ochre. (This cover has since been broken). It was placed near the head of the statue, and the upper part, with the three feathers that adorn it, appeared among loose stones, placed around it with great care. Colonel D. Daniel Traconis, who had that day come to visit, and bring me a few very welcome provisions, was present when it was discovered. I continued the work with precaution, and had the satisfaction, after excavating one-and-a-half meters more, to see the entire statue appear.

Contemplating this admirable specimen of ancient art, seeing the beauty of the carving of its expressive face, I was filled with admiration! Henceforth the American artists could enter into competition with those of Assyria and Egypt! But, on considering its enormous weight, its colossal form (it is half as large again as the natural size), I felt myself overwhelmed with dismay. How to raise it from the profound bed where it had been deposited, five thousand years ago, by its friends and the artificers, who with excessive care raised the pedestal around it! I had no machines, not even ropes. Only ten Indians accompanied me. The enterprise was difficult; but when man wishes, he conquers difficulties, and smooths all obstacles.

After some sleepless nights (the idea of being unable to present my discoveries to the world did not let me rest), I resolved to open the pedestal on the east side, form an inclined plane, construct a capstan, make ropes with the bark of the habin (a tree that grows in these woods), and extract, by these means, my gem from the place where it lay.

Plate 6 represents the opening made, and the inclined plane, the lower part of which only reaches to the shoulder of the statue, which is seen in the bottom of the excavation. Its depth is known by comparing the height of the Indian standing near the statue, and the one who is placed at a third part of the inclined plane.

Plate No. 7 represents the statue of Chaacmol at the moment of its arrival at the upper part of the plane on the surface of the earth; the cables of the habin bark which served to extract it; the construction of the capstan; and the profundity of the excavation.