A Poor Man's House

by Stephen Sydney Reynolds

1

CONTRASTS

Chilliness—a social and emotional chilliness that can with difficulty be defined or nailed down to any cause—is, above and below all, what one feels on returning from a poor man's house into middle-class surroundings. It is not unlike that chill with which certain forms of metropolitan hospitality strike a countryman. He meets a London friend, a former fellow-townsman, perhaps, who has migrated to London and whom he has not seen for a year or two. "Glad to see you," says the Londoner. "You must call on my wife before you go back. Her day is Wednesday." Or, "You must come to dinner one evening. When are you free? Next Tuesday? or Friday?" If the hospitality had begun forthwith, and the countryman had been haled off, country fashion, to the very next pot-luck meal, he would have had a pleasant adventure. It would have been like old times. The former glow of friendship would have more than revived. But the calculated invitation for a future date, the idea that the countryman will like to call for a twenty minutes' chat on generalities and a couple of cups of bad afternoon tea.... Though he may understand that a multiplicity of engagements in London renders this sort of thing convenient, he none the less feels a chill when it is applied to himself, and usually cares little whether he go or not. He becomes conscious of the desire to save trouble, which is at the bottom of such calculations. Had the Londoner revisited the country, he would have found old friends ready to upset all their arrangements for the sake of entertaining him. The London hospitality is the 'better done,' but country hospitality is warmer. Middle-class life runs smoother than the poor man's, it is more arranged and in many ways 'better done,' and it is chillier precisely because, for smooth running, the warmer human impulses, both good and bad, must be repressed. 'Something with a little love and a little murder' in it, was what the illiterate old woman wanted to learn to read. It is what we all want in our hearts, much more than smooth running and impenetrable uniform politeness.

Down at Seacombe we warm our hands, so to speak, at the fire of life; hunger lurks outside, and the fire is dusty and needs looking after; but it glows, and we sit together round it. Here at Salisbury, throughout the social house, we have an installation of hot-water pipes; they may be hygienic (which is doubtful), and they are little trouble to keep going; but they don't glow. Give me the warmth that glows, and let me get near the heart of it.

Voices are often raised in Under Town and quarrels are not infrequent, but the underlying affections are seldom doubted, and when they do rise to the surface, there they are, visible, unashamed. 'Each for himself, and devil take the hindmost,' is more admired in theory than followed in practice. 'Each for himself and the Almighty for us all,' is Tony's way of putting it. The difference lies there.

My acquaintances here are well off for the necessities of life. No one is likely to starve next week. Nevertheless, they are full of worry, and by restraining their expressions of worry so as not to become intolerable to the other worriers, they make themselves the more lonely and increase their panic of mind. They are afraid of life.

At Seacombe, though there were not a fortnight's money in the house, we lived merrily on what we had. In Tony's "Summut 'll sure to turn up if yu be ready an' tries to oblige" there is more than philosophy; there is race tradition, the experience of generations. The Fates are treacherous; therefore, of course, they like to be trusted, and the gifts they reserve for those that trust them are retrospective.

INSTANCES

All of us at Tony's wanted many things—a pension, enough to live on, work, a piano, or only 'jam zide plaate'—God knows what we didn't want! But the things that men haven't, and want, unite them more than those they have. I want is life's steam-gauge; the measure of its energy. It is the ground-bass of love, however transcendentalised, and whether it give birth to children or ideas. I have is stagnant. And I am afraid is the beginning of decay.

It is still I want, rather than I am afraid, that spurs the poor man on.