My friend went to the piano; spun the stool
A little higher; left his pipe to cool;
Picked up a fat green volume from the chest;
And propped it open.
Whitely without rest,
His fingers swept the keys that flashed like swords,
... And to the brute drums of barbarian hordes,
Roaring and thunderous and weapon-bare,
An army stormed the bastions of the air!
Dreadful with banners, fire to slay and parch,
Marching together as the lightnings march,
And swift as storm-clouds. Brazen helms and cars
Clanged to a fierce resurgence of old wars
Above the screaming horns. In state they passed,
Trampling and splendid on and sought the vast —
Rending the darkness like a leaping knife,
The flame, the noble pageant of our life!
The burning seal that stamps man's high indenture
To vain attempt and most forlorn adventure;
Romance, and purple seas, and toppling towns,
And the wind's valiance crying o'er the downs;
That nerves the silly hand, the feeble brain,
From the loose net of words to deeds again
And to all courage! Perilous and sharp
The last chord shook me as wind shakes a harp!
... And my friend swung round on his stool, and from gods we were men,
"How pretty!" we said; and went on with our talk again.

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The Innovator

(A Pharaoh Speaks.)

I said, "Why should a pyramid
Stand always dully on its base?
I'll change it! Let the top be hid,
The bottom take the apex-place!"
And as I bade they did.
The people flocked in, scores on scores,
To see it balance on its tip.
They praised me with the praise that bores,
My godlike mind on every lip.
— Until it fell, of course.
And then they took my body out
From my crushed palace, mad with rage,
— Well, half the town WAS wrecked, no doubt —
Their crazy anger to assuage
By dragging it about.
The end? Foul birds defile my skull.
The new king's praises fill the land.
He clings to precept, simple, dull;
HIS pyramids on bases stand.
But — Lord, how usual!

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Love in Twilight

There is darkness behind the light — and the pale light drips
Cold on vague shapes and figures, that, half-seen loom
Like the carven prows of proud, far-triumphing ships —
And the firelight wavers and changes about the room,
As the three logs crackle and burn with a small still sound;
Half-blotting with dark the deeper dark of her hair,
Where she lies, head pillowed on arm, and one hand curved round
To shield the white face and neck from the faint thin glare.
Gently she breathes — and the long limbs lie at ease,
And the rise and fall of the young, slim, virginal breast
Is as certain-sweet as the march of slow wind through trees,
Or the great soft passage of clouds in a sky at rest.
I kneel, and our arms enlace, and we kiss long, long.
I am drowned in her as in sleep. There is no more pain.
Only the rustle of flames like a broken song
That rings half-heard through the dusty halls of the brain.
One shaking and fragile moment of ecstasy,
While the grey gloom flutters and beats like an owl above.
And I would not move or speak for the sea or the sky
Or the flame-bright wings of the miraculous Dove!

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The Fiddling Wood