“Mr. Oliver Crowe, care Peter Piper, Southampton,” clicked Central dispassionately. “I hate St. Louis. I would give anything in the world if we could only see each other for twenty-four hours. Love. Signed, Nancy.”
And Oliver, after hanging up the receiver, went back to the dining-room with worry barking and running around his mind like a spoiled puppy, wondering savagely why so many rocking-chair people took a crêpey pleasure in saying it was good for young people in love to have to wait.
XI
Tea for two at the Gondolier, that newest and quotation-marked “Quaintest” of Village tea rooms. The chief points in the Gondolier's “quaintness” seem to be that it is chopped up into as many little partitions as a roulette wheel and that all food has to be carried up from a cellar that imparts even to orange marmalade a faint persuasive odor of somebody else's wash. Still, during the last eight months, the Gondolier has been a radical bookstore devoted to bloody red pamphlets, a batik shop full of strange limp garments ornamented with decorative squiggles, and a Roumanian Restaurant called “The Brodska” whose menu seemed to consist almost entirely of old fish and maraschino cherries.
The wispy little woman from Des Moines who conducts the Gondolier at present in a series of timid continual flutters at actually leading the life of the Bohemian untamed, and who gives all the young hungry-looking men extra slices of toast because any one of them might be Vachel Lindsay in disguise, will fail in another six weeks and then the Gondolier may turn into anything from a Free Verse Tavern to a Meeting Hall for the Friends of Slovak Freedom. But at present, the tea is much too good for the price in spite of its inescapable laundry tang, and there is a flat green bowl full of Japanese iris bulbs in the window—the second of which pleases Mrs. Severance and the first Ted.
Besides like most establishments on the verge of bankruptcy, it is such a quiet place to talk—the only other two people in it are a boy with startled hair and an orange smock and a cigaretty girl called Tommy, and she is far too busy telling him that that dream about wearing a necklace of flying-fish shows a dangerous inferiority complex even to comment caustically on strangers from uptown who will intrude on the dear Village.
“Funny stuff—dreams,” says Ted uneasily, catching at overheard phrases for a conversational jumping-off place. His mind, always a little on edge now with work and bad feeding, has been too busy since they came in comparing Rose Severance with Elinor Piper, and wondering why, when one is so like a golden-skinned August pear and the other a branch of winter blackberries against snow just fallen, it is not as good but somehow warmer to think of the first against your touch than the second, to leave him wholly at ease.
“Yes—funny stuff,” Mrs. Severance's voice is musically quiet. “And then you tell them to people who pretend to know all about what they mean—and then—” She shrugs shoulders at the Freudian two across the shoulder-high partition.
“But you don't believe in all this psycho-analysis tosh, do you?”