He remembered a crowd of them talking over suicide one snowy night up in Coblenz—young talk enough but Ted had been the only one who really meant it—he had got quite vehement on picking up your proper cue for exit when you knew that your part was through or you were tired of the part. He remembered café hangers-on in Paris—college men—men who could talk or write or teach or do any one of a dozen things—but men who had crumbled with intention or without it under the strain of the war and the snatches of easy living to excess, and now had about them in everything they said or wore a faint air of mildew; men who stayed in Paris on small useless jobs while their linen and their language verged more and more toward the soiled second-hand—who were always meaning to go home but never went. If Ted went to Paris—with his present mind. Why Ted was his best friend, Oliver realized with a little queer shock in his mind—it was something they had never just happened to say that way. And therefore. Far be it from Oliver to be rude to the daughter of his hostess, but some things were going to be explained to Miss Elinor Piper if they had to be explained by a public spanking in the middle of the Jacobean front hall.
But then there was breakfast, at which few girls appeared, and Elinor was not one of the few. And then Peter insisted on going for a swim before lunch—and then lunch with Elinor at the other end of the table and Juliet Bellamy talking like a mechanical piano into Oliver's ear so that he had to crane his neck to see Elinor at all. What he saw, however, reassured him a little—for he had always thought Elinor one of the calmest young persons in the world, and calm young persons do not generally keep adding spoonfuls of salt abstractedly to their clam-broth till the mixture tastes like the bottom of the sea.
But even at that it was not till just before tea-time that Oliver managed to cut her away from the vociferous rest of the house-party that seemed bent on surrounding them both with the noise and publicity of a private Coney Island. Peter has expressed a fond desire to motor over to a little tea-room he knows where you can dance and the others had received the suggestion with frantic applause. Oliver was just starting downstairs after changing his shoes, cursing house-party manners in general and Juliet Bellamy in particular all over his mind when Elinor's voice came up to him from below.
“No, really, Petey. No, I know it's rude of me but honestly I am tired and if I'm going to feel like anything but limp tulle this evening. No, I'm perfectly all right, I just want to rest for a little while and I promise I'll be positively incandescent at dinner. No, Juliet dear, I wouldn't keep you or anybody else away from Peter's nefarious projects for the world—”
That was quite enough for Oliver—he tiptoed back and hid in his own closet—wondering mildly how he was going to explain his presence there if a search party opened the door. He heard a chorus of voices calling him from below, first warningly, then impatiently—heard Peter bounce up the stairs and yell “Ollie! Ollie, you slacker!” into his own room—and then finally the last motor slurred away and he was able to creep out of his shell.
He met Elinor on the stairs—looking encouragingly droopy, he thought.
“Why Ollie, what's the matter? The pack was howling for you all over the house—they've all gone over to the Sharley—look, I'll get you a car—” She went down a couple of steps toward the telephone.
Oliver immediately and without much difficulty put on his best expression of blight.
“Sorry, El—must have dropped off to sleep,” he said unblushingly. “Lay down on my bed to sort of think some things over—and that's what happens of course. But don't bother—”
“It's no trouble. I could take you over myself but I was so sort of fagged out—that's why I didn't go with them,” she added—a little uncertainly he noticed.