"Really, Terry," replied Drayton with a touch of impatience, "I am no judge of that sort of work. It is intended, I suppose, to represent the three-headed dog, Cerberus-the one that guarded the gates of Pluto's realm in the old mythology. The carving is beautiful."
Trenmore nodded. "It is that. And now I'll tell you how I came by it. You know it's an ignorant, rude man I am; but hid away somewhere inside me there's a great love for little, pretty, delicate things. And though I've no real education like you, Bobby, I've picked up one thing here and another there, and when I happen on some trifle with a bit of a history it just puts the comether on me, and have it I must, whether or no.
"Behind that small steel door you saw in the wall of my room I've some amazing pretty toys that I'd not like to part with. I'll show you them later, if you care, and tell you the tales that go with them. Did you read in the paper last month how Thaddeus B. Crane was after dying and all his great collection to go at auction?"
"I didn't notice."
"You wouldn't. You'd something worse to think of. But I did; so I remembered this which I had heard the fame of, and to that auction I went three days running until they came to the thing I wanted. ',' it's called, just as you named it like the clever lad you are. It's old, and they say 'twas made in Florence centuries ago. But I'll read you the bit of description Crane had for it."
He produced a sheet of time-yellowed paper he read. "'Said to have been carved by Benvenuto Cellini for his patron, the Duke of Florence. Its contents have never been examined. The legend runs, however, that the gray dust within it was gathered from the rocks at the gates of Purgatory by the poet Dante, and that it was to contain this dust that the duke required the vial. More probably, from a modern viewpoint, the contents are some sort of poison, which a Florentine duke may well have carried in self-protection or for the destruction of his enemies. The vial itself is of rock crystal and the cap-closed with cement-a peculiarly beautiful specimen of sixteenth century work. It is probably a genuine Cellini. It passed into the hands-' But I'll not be reading the rest. It tells the names of those who have owned it, and the astonishing number of them that died violently or disappeared from the face of God's earth, and no more trace left of them than a puff of smoke from your cigar!"
Drayton's lips twisted to an involuntary smile.
"A very extraordinary history," he commented. "Dante, Benvenuto Cellini, and Dust from the Rocks of Purgatory! May I ask what you paid?"
"Only five hundred. There'd word got about that Crane was no good judge and that there were more copies than originals in his collections. The regular collectors bought shy, and I misdoubt Crane's widow realized the half of what he'd spent on the lot. There was little bidding for this. The tale's too extravagant, and most would not believe it a true Cellini. However, no sooner had I got it and walked out of the salesrooms than a gray-haired old party came running after me and caught me by the sleeve.
"'And is it you that bought the Cerberus?' he demands. 'It's myself that did,' I conceded him. 'And will you sell it again to me?' 'I will not,' says I. 'Not for twice what you paid for it?' inquires he with a cunning look in his eye that I did not like. 'No, I'll not,' says I. 'Nor for two or four times what I paid for it. I'm a gentleman collector. I am not a dealer. I bought this for myself and I will keep it. Good day to you, sir,' says I, and with that I walked on.