(3) Beauty is expression; I must therefore form a clear intuition and express it to myself. This is my creative act; to which I may, or may not, give a technical embodiment.

(4) But I am not merely creating a photographic image, an imitation. I am getting into a certain receptive condition in which I can abstract from what I see its essence and fit this into my knowledge of Reality. I cannot see a thing as beautiful unless in some degree it gives me this impression of relatedness to Reality and to myself—linking me with the Reality of which I am a part. Beauty thus comes to be a felt relationship. My creation is the creation of a fuller understanding of relatedness.

(5) I am always dissatisfied with Beauty, which wakes in me a sense of longing exactly the same as the longing of an unreciprocated love. I receive and cannot give. Yet in this beauty and this love there is joy as well as sorrow.

(6) My life is part of an organic Whole whose ultimate meaning and purpose is personal relationship—interpenetration. The dissatisfaction is due to a sense of imperfect interpenetration. What is needed, and is felt to be needed, is equal give and take—reciprocal creative activity. Dissatisfaction comes when giving and taking are not balanced.

(7) Beauty is eternal, since the creative expression of Love is eternal, and Love knows eternally what it is—is eternally self-conscious. Love is relation, beauty the expression of the immediate knowledge of that relation.

(8) This knowledge is always a new, creative act. God must continually express His Being as Love else He would cease to be Love and so to be at all. In Creative Expression He renews Himself. He is for Himself ever new. And, because Love is centrifugal as well as centripetal, He must for ever express Himself outwards, so to speak, in the creation of other beings, and this His work of self-abnegation is new and beautiful.

(9) We have hardly touched on the problem of the ugly. We have little to add to Croce’s explanation of it as the failure of expression—as the failure to express coherent unity—which involves the failure of intuition. We shall just touch upon it hereafter; at the moment all we need do is to remind ourselves that the ugliest thing in the world is sin, because it is the failure to understand the whole, and to express the fullest, greatest beauty.


[PART II]
BEAUTY IN EVOLUTION