[4] Bosanquet, Hist. Aesth. p. 267, seq.
[5] Croce, Aesthetic, trs. Ainslie, p. 303.
[6] Wildon Carr, The Philosophy of Croce, p. 97.
[7] The clearest summary of Croce’s position is to be found in the brief third section of the first part of his Philosophy of the Practical. Prof. Wildon Carr also has given a very clear account of Croce’s philosophy as a whole in his book on The Philosophy of Benedetto Croce.
[8] Philosophy of the Practical, p. 591.
[9] Philosophy of the Practical, pp. 258-261.
[10] This is not to condemn programme music altogether, for much of the best programme music does not attempt to paint a scene in such a way as to call up visual images. Vide infra.
[11] Cf. the work of the psychoanalytic school, especially Jung’s Psychology of the Unconscious and Rivers’ Dreams and Primitive Culture.
[12] Lyly’s Campaspe.
[13] G. Macdonald, Phantastes.