“The lady’ll show you. Come along!”
Talbot bowed gravely to the young girl, who arose enchanted. Johnny, with his natural grace and courtesy, offered his arm to the other. She took it with a faintly aloof and indifferent smile, and descended the step with him. She did not look toward him, nor did she vouchsafe him a word. Plainly, she was not interested, but stood idly flirting with her fan, her eyes fixed upon the distance. The dance began.
It was another of the same general character as the first. The couples advanced and retreated, swung slowly about each other, ducked and passed beneath each other’s arms, all to the stately strumming of the guitars. They kept on doing these things. Johnny and Talbot soon got hold of the sequence of events, and did them too.
At first Johnny was gloomy and distrait. Then, after he had, in the changes of the dance, passed Mercedes a few times, he began to wake up. I could make out in the firelight only the shapes of their figures and the whiteness of their faces; but I could see that she lingered a moment 52 in Johnny’s formal embrace, that she flirted against him in passing, and I could guess that her eyes were on duty. When they returned to the veranda, Johnny was chipper, the visitor darkly frowning, Mercedes animated, and the other girl still faintly and aloofly smiling.
The fandango went on for an hour; and the rivalry between Johnny and the young Spaniard grew in intensity. Certainly Mercedes did nothing to modify it. The scene became more animated and more interesting. A slow, gliding waltz was danced, and several posturing, stamping dances in which the partners advanced and receded toward and from each other, bending and swaying and holding aloft their arms. It was very pretty and graceful and captivating; and to my unsophisticated mind a trifle suggestive; though that thought was probably the result of my training and the novelty of the sight. It must be remembered that many people see harm in our round dances simply because they have not become sufficiently accustomed to them to realize that the position of the performers is meaninglessly conventional. Similarity the various rather daring postures of some of these Spanish dances probably have become so conventionalized by numberless repetitions along the formal requirements of the dance that their possible significance has been long since forgotten. The apparently deliberate luring of the man by the woman exists solely in the mind of some such alien spectator as myself. I was philosophical enough to say these things to myself; but Johnny was not. He saw Mercedes languishing into the eyes of his rival; half fleeing provocatively, her glances sparkling; bending and swaying her body in allurement; 53 finally in the finale of the dance, melting into her partner’s arms as though in surrender. He could not realize that these were formal and established measures for a dance. He was too blind to see that the partners separated quite calmly and sauntered nonchalantly toward the veranda, the man rolling a paper cigarro, the woman flirting idly her fan. His eyes glowing dully, he stared straight before him; a spot of colour mounted on his cheekbones.
With an exclamation Talbot Ward arose swiftly but quietly and moved down the veranda, motioning me to follow. He bent over Johnny’s chair.
“I want to speak to you a moment,” he said in a low voice.
Johnny looked up at him a moment defiantly. Talbot stood above him, inflexibly waiting. With a muttered exclamation Johnny finally arose from his chair. Ward grasped his arm and drew him through the wandering natives, past the fringe of American spectators, and down the hard moonlit path to the village.
Johnny jerked his arm loose and stopped short.
“Well, sir!” he demanded, his head high.