His friends there were all sitting under the trees before the hotel, resting rather vacantly after a hard romp. Celia perched high on a root, her curls against the brown bark, her hat dangling by its elastic from a forefinger, her lips parted, her eyes vacant. Gerald leaned gracefully against the trunk. Bobby sat cross-legged on the ground watching her—and him. Kitty and Margaret reclined flat on their backs, gazing up through the leaves. Morris alone showed a trace of activity. He had fished from his pockets the short, blunt stub of a pencil, a penny and a piece of tissue paper. The latter he had superimposed over the penny and by rubbing with the pencil was engaged in making a tracing of the pattern on the coin. Through his preoccupation Bobby at last became cognizant of this process. He sat and watched it with increasing interest.
"By Jimmy!" he shouted leaping to his feet.
"What is it?" they cried, startled by the abrupt movement.
"I got to go home," said Bobby.
They expostulated vehemently, for his departure spoiled the even number for a game. But he would not listen, even to Celia's reproachful voice.
"I'll be back after lunch," he called, and departed rapidly. Duke arose from his warm corner, stretched deliberately, yawned, glanced at the children, half wagged his tail and finally trotted after.
Bobby rushed home as fast as he could; broke into the house like a whirlwind; tore upstairs and, breathless with speed and the excitement of a new idea, flung himself into the chair before his little table. He had seen the solution. To the flash of embryonic creative instinct vouchsafed him, Morris's penny had represented type, the inequalities of its design were the inequalities of alignment over which he had struggled so long and the pressure of the pencil and tissue paper paralleled the imposition of the card on the letters. But in the case of Morris's penny the type did not conform to the paper and the pressure, the paper conformed to the type.
His brain afire with eagerness, Bobby first stretched several clean sheets of paper over the platen and clamped them down; then he inked the type and pressed down the lever. Thus he gained an impression on the platen itself. At this point he hesitated. On his father's desk down stairs was mucilage, but mucilage was strictly forbidden. The hesitation was but momentary, however, for the creative spirit in full blast does not recognize ordinary restrictions. With his own round-pointed scissors he cut out little squares of paper. These he pasted on the platen over the letters whose impression had been too faint. A few moments adjusted the guides. Bobby inked the type and inserted a fresh card. The moment of test was at hand.
He paused and drew a long breath. From one point of view the matter was a small one. From another it was of the exact importance of a little boy's development, for it represented the first fruits of all the hereditary influences that had silently and through the small experiences of babyhood, led him over the edge of the dark, warm nest to this first independent trial of the wings. He pressed the lever gently and took out the card. It was not a very good job of printing; the ink was not quite evenly distributed, the type were so heavily impressed that they showed through the reverse of the card like stamping; but each letter had evidently received the same amount of pressure!
Bobby uttered a little chuckle of joy—he had not time for more—and plunged into the rectification of minor errors. And by noon the press was working steadily, though slowly, and a very neat array of Mr. John Ordes was spread out on the window drying.