In all of it she was absolutely sincere, and not at all stupid. She had always had all she could spend, without question. Money meant nothing to her, one way or the other. If need was, she might have experienced some difficulty in learning how to economize, but none at all in adjusting herself to the necessity of it. The material had become, in all sincerity, a basis for the spiritual. She recognized but two sorts of motives; of which the ideal, comprising the poetic, the daring, the beautiful, were good; and the material, meaning the sordid and selfish, were bad. With her the mere money-getting would have to be allied with some great and poetic excuse.

That is the only sort of aristocracy, in the popular sense of the word, which is real; the only scorn of money which can be respected.

There are some faces which symbolize to the beholder many subtleties of soul-beauty which by no other method could gain expression. Those subtleties may not, probably do not, exist in the possessor of the face. The power of such a countenance lies not so much in what it actually represents, as in the suggestion it holds out to another. So often it is with a beautiful character. Analyze it carefully, and you will reduce it generally to absolute simplicity and absolute purity—two elements common enough in adulteration; but place it face to face with a more complex personality, and mirror-like it will take on a hundred delicate shades of ethical beauty, while at the same time preserving its own lofty spirituality.

Thus Hilda Farrand reflected Thorpe. In the clear mirror of her heart his image rested transfigured. It was as though the glass were magic, so that the gross and material was absorbed and lost, while the more spiritual qualities reflected back. So the image was retained in its entirety, but etherealized, refined. It is necessary to attempt, even thus faintly and inadequately, a sketch of Hilda's love, for a partial understanding of it is necessary to the comprehension of what followed the moon of delight.

That moon saw a variety of changes.

The bed of French Creek was cleared. Three of the roads were finished, and the last begun. So much for the work of it.

Morton and Cary shot four deer between them, which was unpardonably against the law, caught fish in plenty, smoked two and a half pounds of tobacco, and read half of one novel. Mrs. Cary and Miss Carpenter walked a total of over a hundred miles, bought twelve pounds of Indian work of all sorts, embroidered the circle of two embroidery frames, learned to paddle a birch-bark canoe, picked fifteen quarts of berries, and gained six pounds in weight. All the party together accomplished five picnics, four explorations, and thirty excellent campfires in the evening. So much for the fun of it.

Little Phil disappeared utterly, taking with him his violin, but leaving his broken bow. Thorpe has it even to this day. The lumberman caused search and inquiry on all sides. The cripple was never heard of again. He had lived his brief hour, taken his subtle artist's vengeance of misplayed notes on the crude appreciation of men too coarse-fibered to recognize it, brought together by the might of sacrifice and consummate genius two hearts on the brink of misunderstanding;—now there was no further need for him, he had gone. So much for the tragedy of it.

“I saw you long ago,” said Hilda to Thorpe. “Long, long ago, when I was quite a young girl. I had been visiting in Detroit, and was on my way all alone to catch an early train. You stood on the corner thinking, tall and straight and brown, with a weather-beaten old hat and a weather-beaten old coat and weather-beaten old moccasins, and such a proud, clear, undaunted look on your face. I have remembered you ever since.”

And then he told her of the race to the Land Office, while her eyes grew brighter and brighter with the epic splendor of the story. She told him that she had loved him from that moment—and believed her telling; while he, the unsentimental leader of men, persuaded himself and her that he had always in some mysterious manner carried her image prophetically in his heart. So much for the love of it.