Geoffrey Hampstead: A Novel

by Stinson Jarvis

The little basswood canoe, with its comfortable rugs and cushions, lay beside the yacht, bobbing about in the evening breeze, and Margaret sat dreamily watching its wayward movements.

"A penny for your thoughts?" asked somebody.

"I was thinking," answered Margaret, "that the canoe is the only craft that ought to be allowed in these waters, and that the builders of houses on these islands ought to realize that the only dwelling artistically correct should be one that either copies or suggests the wigwam. No one can come among these islands without wondering how long the Indians lived here. All the Queen Anne architecture we have seen to-day has seemed to me to be altogether misplaced."

"What you suggest could hardly be expected here," said Geoffrey, "because, putting aside the difficulty of building a commodious house which would still resemble a wigwam, there remains the old difficulty of getting people to see in imagination what is not before them—the old difficulty that gave us the madonnas, saints, and heroes as Dutch, Italian, or English, according to the nationality of the painter. Of all the pictures of Christ scattered over Europe, none that I have seen could have been like a person living much in the open air of the Holy Land. They will paint Joseph as brown as the air there will make anybody, because it does not matter about Joseph, but the Christs are always ideal."

"Still, I am sure something might be done to carry out my idea," said Margaret, keeping to the subject. "Surely localities have the same right to be illustrated according to their traditions that nations have to expect that their heroes shall be painted so as to show their nationality. No one would paint the Arab desert and leave out the squat black tent, the horse, and all the other adjuncts of the Bedouin. Why, then, build Queen Anne houses in a place where the mind refuses to think of anything but the Indian?"

"Perhaps," said Hampstead, "the case here is unique. It is difficult to find a parallel. But the same idea would present itself if one attempted to build an English Church in the Moorish style instead of the Gothic or something similar. I fancy that the subscribers would feel that the traditions of their race and native land were not being properly represented, as you say, in their architecture—that they would resent an Oriental luxury of outline suggesting only Mohammed's luxurious religion, and that nothing would suit them but the high, severe, and moral aspect of their own race, religion, and churches. By the way, did you ever consider how the moral altitude of each religion throughout the world is indelibly stamped in the very shape of each one's houses of worship. Begin at the whimsical absurdities of the Chinese, and come westward to the monstrosities of India, then to the voluptuous domes of the Moor and the less voluptuous domes of Constantinople, then to the still less Oriental domes of Rome, then to the fortress-like rectangular Norman, then to the lofty, refined, severe, upward-pointing Gothic of Germany and England. Each church along the whole line, by its mere external shape, will tell of the people and religion that built it better than a host of words."

"If that be so, it would seem like retrograding in architecture to suggest the Indian wigwam here," said Jack. "What do you say, Margaret?"

"I think that this is not a place where national aspirations in monuments need be looked for. Its claims must always be on the side of simple nature and the picturesque—a place for hard workers to recuperate in, and, therefore, the poetry of all its early traditions should in every way be protected and suggested."

"Of course, I suppose, Miss Margaret, the Indian you wish to immortalize is John Fenimore Cooper's Indian, and that you have no reference to Batoche half-breeds. Perhaps after a while we may see the genius of this place suggested further, but I think the Americans have had too much trouble in exterminating 'Lo, the poor Indian' to wish to be reminded of his former existence, and that the savagery of Queen Anne is sufficient for them. 'Lo' has, for them, no more poetry than a professional tramp. Out West, you know, they read it 'Loathe the poor Indian.'"

"They don't loathe the poor Indian everywhere," said Rankin, as he remembered an item about the dusky race. "You know our act forbidding people to work on Sunday makes a provision for the unconverted heathen, and says 'this act shall not apply to Indians.' Some time ago a man at the Falls of Niagara was accustomed to run an elevator on Sunday to carry tourists up and down the cliff to the Whirlpool Rapids. His employés were prosecuted for carrying on their business on the Sabbath day. When the following Sunday arrived, a quite civilized remnant of the Tuscarora tribe were running the entire business at splendid profits, and claimed, apparently with success, that the law could not touch them."