The appearance of the living room in the Poor apartment on Eighty-fourth Street was not the same as it had been when I had arrived there three evenings before. Not only was there no army of city employees present and no man of the house with his face gone huddled on the floor, but the furniture had been moved around. The chair Poor had sat in when he lit his last cigar was gone, probably to the cleaners on account of spots, the table Cramer had used for headquarters had been shifted to the other side of the room, and the radio had been moved to the other end of the couch.
Martha Poor was sitting on the couch, and I was on a chair I had pulled around to face her. She was wearing something that wasn’t a bathrobe and wasn’t exactly a dress, modest, with sleeves and only a proper amount of throat showing.
“I’m here under orders,” I told her. “I said this morning that if anything happened that it would help you to know about I’d see that you knew, but this isn’t it. This is different. Nero Wolfe sent me with orders. I just want to make that clear. Item number one is to hand you this envelope and invite you to look at the contents.”
She took it from me. With steady fingers, slow-moving rather than hurried, she opened the flap and pulled out the photograph.
I informed her, “That decoration may look like something by Dali, but it was Nero Wolfe’s idea. I am not authorized to discuss it or the picture from any angle Just there it is, except to remark that it is a very good likeness of your husband. I only saw him that one time, the other afternoon at the office, but of course I had a long and thorough look at him. Wednesday we could have sold that photo to a newspaper for a nice amount, but of course we didn’t have it Wednesday.”
She had put the photo beside her on the couch and was pinching an edge of the cardboard between her index finger and thumbnail, with the nail sinking in. She was looking straight at me. The muscles of her throat had tightened, which no doubt accounted for the change in her voice when she spoke.
“Where did you get it?”
I shook my head. “Out of bounds. As I said, I’m under orders. Item number two is just a piece of information to the effect that a man named Saul Panzer is out in the back hall on this floor, standing by the door of the service elevator. Saul is not big but he just had a nap and is alert. Number three: that naked body found up in Westchester with the head smashed by running a car over it, in an orchard not more than ten minutes’ drive from either Monty’s Tavern or Blaney’s place, has been identified as formerly belonging to a man named Arthur Howell, an employee of the Beck Products Corporation.”
Her eyes hadn’t moved. I hadn’t even seen the lashes blink. She said in a faraway voice, “I don’t know why you tell me about that. Arthur Howell? Did you say Arthur Howell?”
“Yep, that’s right. Howell, Arthur. Head flattened to a pancake, but enough left for the dentist. As for telling you about it, I’m only obeying orders.” I glanced at my wrist. “Number four: it is now twenty past ten. At a quarter to eleven I am supposed either to arrive back at the office or phone. If I do neither, Nero Wolfe will phone Inspector Cramer and then here they’ll come. Not as many as Tuesday evening I suppose, because they won’t need all the scientists, but plenty.”