“Who is it, Leon? Bring him up!”
It was a borderline husky voice, the kind that requires further evidence before deciding the question, man or woman. The young man’s head pivoted for a quick look up the stairs and then turned back to me, and his face broke into a grin. It seemed likely that he regarded it as an engaging grin, or maybe even charming. The vote for him in the Larchmont Women’s Club would have stood about 92 to 11. He came closer to me and lowered his voice.
“I suppose you know you’re in a bughouse? My advice is to beat it. I’ll take a message for Miss Amory—”
“Leon!” the voice came down. “Bring him up here!”
“I’d like to see Miss Amory now,” I said, and started to by-pass Leon, but he shrugged his shoulders with masculine charm and started back upstairs, with me following. In the hall one flight up, standing in an open door, was the owner of the voice. The clothes, a brown woolen dress that might have been worn at the inauguration of McKinley, apparently settled the man or woman question, but aside from that she was built to play end or tackle on the same team with Leon. Also she stood more like a soldier than I did or was likely to.
“What’s this?” she demanded as we approached. “I don’t know you. Come in here.”
Leon called her “Miss Leeds,” and informed her that I was Archie Goodwin, formerly Nero Wolfe’s assistant, now Major Goodwin of the United States Army, but there was no knowing whether she got it, because she had her back turned, marching inside the apartment, taking it for granted we would follow, which we did. The furniture of the big room she led us into must have dated from McKinley’s childhood, and there was plenty of it. I sat down because she told me to as if she meant it, taking in the museum with a glance. To finish it off, there was a marble-topped table in the center of the room, with nothing on it but a dead hawk with its wings stretched out. Not a stuffed hawk, just a dead one, just lying there. I guess I stared at it, because she said, “He kills them for me.”
I asked politely, “Are you a taxidermist, Miss Leeds?”
“Oh, no, she likes pigeons,” Leon said in an informative tone. He was sitting on a piano stool with a plush top. “There are seventy thousand pigeons in Manhattan, and about ninety hawks, and they kill the pigeons. The hawks keep coming. They live on the ledges of buildings, and I kill them for Miss Leeds. I got that one—”
“That’s none of your business,” Miss Leeds told me brusquely. “I heard you talking to Mrs. Chack and asking for Ann Amory. I want you to understand that I do not wish any investigation into the death of my mother. It is not necessary. Mrs. Chack is crazy. Both crazy and malicious. She tells people that I think she killed my mother, but I don’t. I don’t think anyone killed my mother. She died of old age. I have explained thoroughly that no investigation is necessary, and I want it understood—”