The newspaper came down, disclosing the plump features, not quite puffy yet, of a city employee named Halloran. “You got good eyes,” he said, just stating a fact. “If you mean disrespect for the lieutenant you mentioned, go right ahead.”
“Some other time. Right now I’m working. I was glad to see you because I may be walking into a trap. If I don’t come out in three days, phone Rowcliff. Is this a really serious tail, or are you on him alone?”
“I came in here for a pair of shoestrings.”
I apologized for interrupting, left him, and headed across the street. Apparently Homicide had by no means wrapped it up, since they thought it necessary to keep an eye on Fomos, who, so far as I knew from what I had read in the papers, was involved only in that he had been bereaved; but surely Fomos wasn’t really hot or I would have got a very different reaction from Halloran.
It was a five-story old red brick building. In the row of names under the mailboxes at the right of the vestibule, Fomos was next to the end. I pressed the button, waited half a minute for the click to come, pushed the door open, entered, and made for the stairs. There were three doors on each landing, one at each end and one in the middle. Three flights up, the one at the far end was sporting a big rosette of black ribbon with streamers hanging nearly to the floor. I went to it and pressed the button, and in a moment a gruff deep voice came at me through the wood. “Who is it?”
On the theory that I deserved to take a little something for an hour and a half’s hard work, I called, “A friend of Sarah Jaffee’s! My name’s Goodwin!”
Abruptly the door popped open, wide open, and standing there was Hercules, in white shorts, dazzling white in contrast to his dark skin and his tousled mop of coal-black hair. “I’m in mourning,” he said. “What do you want?”
“You’re Andreas Fomos?”
“I’m Andy Fomos. No one says Andreas. What do you want?”
“I want to ask if you know why Priscilla Eads was going to make your wife a director of Softdown, Incorporated.”