Again, the reality of children appealed strongly to the simplicity and genuineness of his own nature. I believe that he understood children even better than he understood men and women; civilisation has made adult humanity very incomprehensible, for convention is as a veil which hides the divine spark that is in each of us, and so this strange thing has come to be, that the imperfect mirrors perfection more completely than the perfected, that we see more of God in the child than in the man.
And in those moments of depression of which he had his full share, when old age seemed to mock him with all its futility and feebleness, it was the thought that the children still loved him which nerved him again to continue his life-work, which renewed his youth, so that to his friends he never seemed an old man. Even the hand of death itself only made his face look more boyish—the word is not too strong. "How wonderfully young your brother looks!" were the first words the doctor said, as he returned from the room where Lewis Carroll's body lay, to speak to the mourners below. And so he loved children because their friendship was the true source of his perennial youth and unflagging vigour. This idea is expressed in the following poem—an acrostic, which he wrote for a friend some twenty years ago:—
Around my lonely hearth, to-night,
Ghostlike the shadows wander:
Now here, now there, a childish sprite,
Earthborn and yet as angel bright,
Seems near me as I ponder.
Gaily she shouts: the laughing air
Echoes her note of gladness—
Or bends herself with earnest care