It was all illustrated by Gard's piano playing, which was cheap and meaningless strumming. He could rattle through a lot of popular tunes and stumble through a few short simple school-girl salon pieces. The Buchers were a real orchestra. With the ladies at the piano, the old Herr at the flute, Ernst at the violin and Rudi at the 'cello, they could play a dozen programmes and furnish enjoyment for the listener.
And always salutary, enlightened, cultivated music. The house reverberated with a multitude of choice enduring arias, sung, hummed or whistled, and this made Villa Elsa almost take on a charm for Gard. He had not known how his melodious soul was starved.
Why should not the Germans be expected to have noble souls with all the wealth of distinguished, inspiring music flowing through their lives? Should it not give them necessarily a strong, desirable spirit, fortify them in healthy aspirations, encourage them to get the best out of existence? This incentive and pleasureableness, making for the good, the true and the beautiful—must it not contribute a deep richness and righteousness to the Teuton heart?
And is it to be wondered at—the Germans' big supply of red blood? For the strength of the Teuton's body, Gard observed, was built up, maintained, in equal measure with his other training. The military drilling and strenuous gymnastics provided him with straight shoulders, a full chest, a sound spine, strength of limb—in short, good, presentable health.
The Bucher fireside had no doctor, no adored specialists, hanging about. It had been taught to handle simple complaints itself. Medical and surgical bills did not upset its modest financial equilibrium. The family were extraordinarily well. Their brawn, energetically looked after as well as the brain, accounted partly for their marvelous appetites.
So nothing seemed to Gard to be missed in this potent scheme of instruction and Kultur.