I’m not afraid of a whip, I’m afraid of hands and eyes, thank you Father. One day, one day, you’ll see, Father, I shall live with people all around me, I shall ride on their trains and drive my own motor car; I shall go among thousands on a beach at the edge of a sea which goes out and out without walls, I shall step in and out among them with a tiny strip of cloth here and here and let them see my navel, I shall meet a man with white teeth, Father, and round strong arms, Father, and I shall oh what will become of me, what have I become now, Father forgive me.
I live in a house you never saw, one with windows overlooking a road, where the bright gentle cars whisper past and children play outside the hedge. The hedge is not a wall and, twice for the drive and once for the walk, it is open to anyone. I look through the curtains whenever I choose, and see strangers. There is no way to make the bathroom black dark and in the bathroom is a mirror as tall as I am; and one day, Father, I shall leave the towel off.
But all that will come later, the moving about among strangers, the touchings without fear. Now I must live alone, and think; I must read and read of the world and its works, yes, and of madmen like you, Father, and what twists them so terribly; Dr Rothstein insists that you were not the only one, that you were so rare, really, only because you were so rich.
Evelyn…
Evelyn never knew her father was mad. Evelyn never saw the pictures of the poisoned flesh. I lived in a world different from this one, but her world was just as different, the world Father and I made for her, to keep her pure…
I wonder, I wonder how it happened that you had the decency to blow your rotten brains out…
The picture of her father, dead, calmed her strangely. She rose and looked back into the woods, looked carefully around the meadow, shadow by shadow, tree by tree. ‘All right, Evelyn, I will, I will…’
She took a deep breath and held it. She shut her eyes so tight there was red in the blackness of it. Her hands flickered over the buttons on her dress. It fell away. She slid out of underwear and stockings with a single movement. The air stirred and its touch on her body was indescribable; it seemed to blow through her. She stepped forward into the sun and with tears of terror pressing through her closed lids, she danced naked, for Evelyn, and begged and begged her dead father’s pardon.
When Janie was four she hurled a paperweight at a Lieutenant because of an unanalysed but accurate feeling that he had no business around the house while her father was overseas. The Lieutenant’s skull was fractured and, as is often the case in concussion, he was for ever unable to recall the fact that Janie stood ten feet away from the object when she threw it. Janie’s mother whaled the tar out of her for it, an episode which Janie accepted with her usual composure. She added it, however, to the proofs given her by similar occasions that power without control has its demerits.
‘She gives me the creeps,’ her mother told her other Lieutenant later.’ I can’t stand her. You think there’s something wrong with me for talking like that, don’t you?’