Powerspike was both bright and creative. Electron clicked with him. They often joked about the other's bad taste in music. Powerspike liked heavy metal, and Electron liked indie music. They shared a healthy disrespect for authority. Not just the authority of places they hacked into, like the US Naval Research Laboratories or NASA, but the authority of The Realm. When it came to politics, they both leaned to the left. However, their interest tended more toward anarchy—opposing symbols of the military-industrial complex—than to joining a political party.

After their expulsion from The Realm, Electron had been a little isolated for a time. The tragedy of his personal life had contributed to the isolation. At the age of eight, he had seen his mother die of lung cancer. He hadn't witnessed the worst parts of her dying over two years, as she had spent some time in a German cancer clinic hoping for a reprieve. She had, however, come home to die, and Electron had watched her fade away.

When the phone call from hospital came one night, Electron could tell what had happened from the serious tones of the adults. He burst into tears. He could hear his father answering questions on the phone. Yes, the boy had taken it hard. No, his sister seemed to be OK. Two years younger than Electron, she was too young to understand.

Electron had never been particularly close to his sister. He viewed her as an unfeeling, shallow person—someone who simply skimmed along the surface of life. But after their mother's death, their father began to favour Electron's sister, perhaps because of her resemblance to his late wife. This drove a deeper, more subtle wedge between brother and sister.

Electron's father, a painter who taught art at a local high school, was profoundly affected by his wife's death. Despite some barriers of social class and money, theirs had been a marriage of great affection and love and they made a happy home. Electron's father's paintings hung on almost every wall in the house, but after his wife's death he put down his brushes and never took them up again. He didn't talk about it. Once, Electron asked him why he didn't paint any more. He looked away and told Electron that he had `lost the motivation'.

Electron's grandmother moved into the home to help her son care for his two children, but she developed Alzheimer's disease. The children ended up caring for her. As a teenager, Electron thought it was maddening caring for someone who couldn't even remember your name. Eventually, she moved into a nursing home.

In August 1989, Electron's father arrived home from the doctor's office. He had been mildly ill for some time, but refused to take time off work to visit a doctor. He was proud of having taken only one day's sick leave in the last five years. Finally, in the holidays, he had seen a doctor who had conducted numerous tests. The results had come in.

Electron's father had bowel cancer and the disease had spread. It could not be cured. He had two years to live at the most.

Electron was nineteen years old at the time, and his early love of the computer, and particularly the modem, had already turned into a passion. Several years earlier his father, keen to encourage his fascination with the new machines, used to bring one of the school's Apple IIes home over weekends and holidays. Electron spent hours at the borrowed machine. When he wasn't playing on the computer, he read, plucking one of his father's spy novels from the over-crowded bookcases, or his own favourite book, The Lord of The Rings.

Computer programming had, however, captured the imagination of the young Electron years before he used his first computer. At the age of eleven he was using books to write simple programs on paper—mostly games—despite the fact that he had never actually touched a keyboard.