At the head of the writers of this age, stands the emperor himself, with his minister Mecaenas; but the works of both have almost totally perished. It appears from the historian now translated, that Augustus was the author of several productions in prose, besides some in verse. He wrote Answers to Brutus in relation to Cato, Exhortations to Philosophy, and the History of his own Life, which he continued, in thirteen books, down to the war of Cantabria. A book of his, written in hexameter verse, under the title of Sicily, was extant in the time of Suetonius, as was likewise a book of Epigrams. He began a tragedy on the subject of Ajax, but, being dissatisfied with the composition, destroyed it. Whatever the merits of Augustus may have been as an author, of which no judgment can be formed, his attachment to learning and eminent writers affords a strong presumption that he was not destitute of taste. Mecaenas is said to have written two tragedies, Octavia and Prometheus; a History of (159) Animals; a Treatise on Precious Stones; a Journal of the Life of Augustus; and other productions. Curiosity is strongly interested to discover the literary talents of a man so much distinguished for the esteem and patronage of them in others; but while we regret the impossibility of such a development, we scarcely can suppose the proficiency to have been small, where the love and admiration were so great.
History was cultivated amongst the Romans during the present period, with uncommon success. This species of composition is calculated both for information and entertainment; but the chief design of it is to record all transactions relative to the public, for the purpose of enabling mankind to draw from past events a probable conjecture concerning the future; and, by knowing the steps which have led either to prosperity or misfortune, to ascertain the best means of promoting the former, and avoiding the latter of those objects. This useful kind of narrative was introduced about five hundred years before by Herodotus, who has thence received the appellation of the Father of History. His style, in conformity to the habits of thinking, and the simplicity of language, in an uncultivated age, is plain and unadorned; yet, by the happy modulation of the Ionic dialect, it gratified the ear, and afforded to the states of Greece a pleasing mixture of entertainment, enriched not only with various information, often indeed fabulous or unauthentic, but with the rudiments, indirectly interspersed, of political wisdom. This writer, after a long interval, was succeeded by Thucydides and Xenophon, the former of whom carried historical narrative to the highest degree of improvement it ever attained among the States of Greece. The plan of Thucydides seems to have continued to be the model of historical narrative to the writers of Rome; but the circumstances of the times, aided perhaps by the splendid exertion of genius in other departments of literature, suggested a new resource, which promised not only to animate, but embellish the future productions of the historic Muse. This innovation consisted in an attempt to penetrate the human heart, and explore in its innermost recesses the sentiments and secret motives which actuate the conduct of men. By connecting moral effects with their probable internal and external causes, it tended to establish a systematic consistency in the concatenation of transactions apparently anomalous, accidental, or totally independent of each other.
The author of this improvement in history was SALLUST, who likewise introduced the method of enlivening narrative with the occasional aid of rhetorical declamation, particularly in his account of the Catilinian conspiracy. The notorious (160) characters and motives of the principal persons concerned in that horrible plot, afforded the most favourable opportunity for exemplifying the former; while the latter, there is reason to infer from the facts which must have been at that time publicly known, were founded upon documents of unquestionable authority. Nay, it is probable that Sallust was present in the senate during the debate respecting the punishment of the Catilinian conspirators; his detail of which is agreeable to the characters of the several speakers: but in detracting, by invidious silence, or too faint representation, from the merits of Cicero on that important occasion, he exhibits a glaring instance of the partiality which too often debases the narratives of those who record the transactions of their own time. He had married Terentia, the divorced wife of Cicero; and there subsisted between the two husbands a kind of rivalship from that cause, to which was probably added some degree of animosity, on account of their difference in politics, during the late dictatorship of Julius Caesar, by whom Sallust was restored to the senate, whence he had been expelled for licentiousness, and was appointed governor of Numidia. Excepting the injustice with which Sallust treats Cicero, he is entitled to high commendation. In both his remaining works, the Conspiracy of Catiline, and the War of Jugurtha, there is a peculiar air of philosophical sentiment, which, joined to the elegant conciseness of style, and animated description of characters, gives to his writings a degree of interest, superior to that which is excited in any preceding work of the historical kind. In the occasional use of obsolete words, and in laboured exordiums to both his histories, he is liable to the charge of affectation; but it is an affectation of language which supports solemnity without exciting disgust; and of sentiment which not only exalts human nature, but animates to virtuous exertions. It seems to be the desire of Sallust to atone for the dissipation of his youth by a total change of conduct; and whoever peruses his exordiums with the attention which they deserve, must feel a strong persuasion of the justness of his remarks, if not the incentives of a resolution to be governed by his example. It seems to be certain, that from the first moment of his reformation, he incessantly practised the industry which he so warmly recommends. He composed a History of Rome, of which nothing remains but a few fragments. Sallust, during his administration of Numidia, is said to have exercised great oppression. On his return to Rome he built a magnificent house, and bought delightful gardens, the name of which, with his own, is to this day perpetuated on the spot which they formerly occupied. Sallust was born at Amiternum, in the country of the Sabines, and (161) received his education at Rome. He incurred great scandal by an amour with Fausta, the daughter of Sylla, and wife of Milo; who detecting the criminal intercourse, is said to have beat him with stripes, and extorted from him a large sum of money. He died, according to tradition, in the fifty-first year of his age.
CORNELIUS NEPOS was born at Hostilia, near the banks of the Po. Of his parentage we meet with no account; but from his respectable connections early in life, it is probable that he was of good extraction. Among his most intimate friends were Cicero and Atticus. Some authors relate that he composed three books of Chronicles, with a biographical account of all the most celebrated sovereigns, generals, and writers of antiquity.
The language of Cornelius Nepos is pure, his style perspicuous, and he holds a middle and agreeable course between diffuseness and brevity. He has not observed the same rule with respect to the treatment of every subject; for the account of some of the lives is so short, that we might suspect them to be mutilated, did they not contain evident marks of their being completed in miniature. The great extent of his plan induced him, as he informs us, to adopt this expedient. "Sed plura persequi, tum magnitudo voluminis prohibet, tum festinatio, ut ea explicem, quae exorsus sum." [270]
Of his numerous biographical works, twenty-two lives only remain, which are all of Greeks, except two Carthaginians, Hamilcar and Hannibal; and two Romans, M. Porcius Cato and T. Pomponius Atticus. Of his own life,—of him who had written the lives of so many, no account is transmitted; but from the multiplicity of his productions, we may conclude that it was devoted to literature.
TITUS LIVIUS may be ranked among the most celebrated historians the world has ever produced. He composed a history of Rome from the foundation of the city, to the conclusion of the German war conducted by Drusus in the time of the emperor Augustus. This great work consisted, originally, of one hundred and forty books; of which there now remain only thirty-five, viz., the first decade, and the whole from book twenty-one to book forty-five, both inclusive. Of the other hundred and five books, nothing more has survived the ravages of time and barbarians than their general contents. In a perspicuous arrangement of his subject, in a full and circumstantial account of transactions, in the delineation of characters and other objects of description, to justness and aptitude of sentiment, and in an air of majesty (162) pervading the whole composition, this author may be regarded as one of the best models extant of historical narrative. His style is splendid without meretricious ornament, and copious without being redundant; a fluency to which Quintilian gives the expressive appellation of "lactea ubertas." Amongst the beauties which we admire in his writings, besides the animated speeches frequently interspersed, are those concise and peculiarly applicable eulogiums, with which he characterises every eminent person mentioned, at the close of their life. Of his industry in collating, and his judgment in deciding upon the preference due to, dissentient authorities, in matters of testimony, the work affords numberless proofs. Of the freedom and impartiality with which he treated even of the recent periods of history, there cannot be more convincing evidence, than that he was rallied by Augustus as a favourer of Pompey; and that, under the same emperor, he not only bestowed upon Cicero the tribute of warm approbation, but dared to ascribe, in an age when their names were obnoxious, even to Brutus and Cassius the virtues of consistency and patriotism. If in any thing the conduct of Livy violates our sentiments of historical dignity, it is the apparent complacency and reverence with which he every where mentions the popular belief in omens and prodigies; but this was the general superstition of the times; and totally to renounce the prejudices of superstitious education, is the last heroic sacrifice to philosophical scepticism. In general, however, the credulity of Livy appears to be rather affected than real; and his account of the exit of Romulus, in the following passage, may be adduced as an instance in confirmation of this remark.
"His immortalibus editis operibus, quum ad exercitum recensendum concionem in campo ad Caprae paludem haberet, subita coorta tempestate cum magno fragore tonitribusque tam denso regem operuit nimbo, ut conspectum ejus concioni abstulerit; nec deinde in terris Romulus fuit. Romana pubes, sedato tandem pavore, postquam ex tam turbido die serena, et tranquilla lux rediit, ubi vacuam sedem regiam vidit; etsi satis credebat Patribus, qui proximi steterant, sublimem raptum procella; tamen veluti orbitatis metu icta, maestum aliquamdiu silentium obtinuit. Deinde a paucis initio facto, Deum, Deo natum, regem parentemque urbis Romanae, salvere universi Romulum jubent; pacem precibus exposcunt, uti volens propitius suam semper sospitet progeniem. Fuisse credo tum quoque aliquos, qui discerptum regem Patrum manibus taciti arguerent; manavit enim haec quoque, et perobscura, fama. Illam alteram admiratio viri, et pavor praesens nobilitavit. Consilio etiam unius hominis addita rei dicitur fides; namque Proculus Julius sollicita civitate desiderio (163) regis, et infensa Patribus, gravis, ut traditur, quamvis magnae rei auctor, in concionem prodit. 'Romulus, inquit, Quirites, parens urbis hujus, prima hodierna luce coelo repente delapsus, se mihi obvium dedit; quam profusus horrore venerabundusque astitissem, petens precibus, ut contra intueri fas esset; Abi, nuncia, inquit, Romanis, Coelestes ita velle, ut mea Roma caput orbis terrarum sit; proinde rem militarem colant; sciantque, et ita posteris tradant, nullas opes humanas armis Romanis resistere posse.' Haec, inquit, locutus, sublimis abiit. Mirum, quantum illi viro nuncianti haec fidei fuerit; quamque desiderium Romuli apud plebem exercitumque, facta fide immortalitatis, lenitum sit." [271]
Scarcely any incident in ancient history savours more of the (164) marvellous than the account above delivered respecting the first Roman king; and amidst all the solemnity with which it is related, we may perceive that the historian was not the dupe of credulity. There is more implied than the author thought proper to avow, in the sentence, Fuisse credo, etc. In whatever light this anecdote be viewed, it is involved in perplexity. That Romulus affected a despotic power, is not only highly probable, from his aspiring disposition, but seems to be confirmed by his recent appointment of the Celeres, as a guard to his person. He might, therefore, naturally incur the odium of the patricians, whose importance was diminished, and their institution rendered abortive, by the increase of his power. But that they should choose the opportunity of a military review, for the purpose of removing the tyrant by a violent death, seems not very consistent with the dictates even of common prudence; and it is the more incredible, as the circumstance which favoured the execution of the plot is represented to have been entirely a fortuitous occurrence. The tempest which is said to have happened, is not easily reconcilable with our knowledge of that phenomenon. Such a cloud, or mist, as could have enveloped Romulus from the eyes of the assembly, is not a natural concomitant of a thunder-storm. There is some reason to suspect that both the noise and cloud, if they actually existed, were artificial; the former intended to divert the attention of the spectators, and the latter to conceal the transaction. The word fragor, a noise or crash, appears to be an unnecessary addition where thunder is expressed, though sometimes so used by the poets, and may therefore, perhaps, imply such a noise from some other cause. If Romulus was killed by any pointed or sharp-edged weapon, his blood might have been discovered on the spot; or, if by other means, still the body was equally an object for public observation. If the people suspected the patricians to be guilty of murder, why did they not endeavour to trace the fact by this evidence? And if the patricians were really innocent, why did they not urge the examination? But the body, without doubt, was secreted, to favour the imposture. The whole narrative is strongly marked with circumstances calculated to affect credulity with ideas of national importance; and, to countenance the design, there is evidently a chasm in the Roman history immediately preceding this transaction and intimately connected with it.
Livy was born at Patavium [272], and has been charged by Asinius Pollio and others with the provincial dialect of his country. The objections to his Pativinity, as it is called, relate chiefly to the (165) spelling of some words; in which, however, there seems to be nothing so peculiar, as either to occasion any obscurity or merit reprehension.