[611] See Tacitus, Annal. xv. 49-55.
[612] The sixteenth book of Tacitus, which would probably have given an account of the Vinician conspiracy, is lost. It is shortly noticed by Plutarch.
[613] See before, c. xix.
[614] This destructive fire occurred in the end of July, or the beginning of August, A.U.C. 816, A.D. 64. It was imputed to the Christians, and drew on them the persecutions mentioned in c. xvi., and the note.
[615] The revolt in Britain broke out A.U.C. 813. Xiphilinus (lxii. p. 701) attributes it to the severity of the confiscations with which the repayment of large sums of money advanced to the Britons by the emperor Claudius, and also by Seneca, was exacted. Tacitus adds another cause, the insupportable tyranny and avarice of the centurions and soldiers. Prasutagus, king of the Iceni, had named the emperor his heir. His widow Boadicea and her daughters were shamefully used, his kinsmen reduced to slavery, and his whole territory ravaged; upon which the Britons flew to arms. See c. xviii., and the note.
[616] Neonymphon; alluding to Nero's unnatural nuptials with Sporus or Pythagoras. See cc. xxviii. xxix. It should be neonymphos.
[617] "Sustulit" has a double meaning, signifying both, to bear away, and put out of the way.
[618] The epithet applied to Apollo, as the god of music, was Paean; as the god of war, Ekataebaletaes.
[619] Pliny remarks, that the Golden House of Nero was swallowing up all Rome. Veii, an ancient Etruscan city, about twelve miles from Rome, was originally little inferior to it, being, as Dionysius informs us, (lib. ii. p. 16), equal in extent to Athens. See a very accurate survey of the ruins of Veii, in Gell's admirable TOPOGRAPHY OF ROME AND ITS VICINITY, p. 436, of Bohn's Edition.
[620] Suetonius calls them organa hydralica, and they seem to have been a musical instrument on the same principle as our present organs, only that water was the inflating power. Vitruvius (iv. ix.) mentions the instrument as the invention of Ctesibus of Alexandria. It is also well described by Tertullian, De Anima, c. xiv. The pneumatic organ appears to have been a later improvement. We have before us a contorniate medallion, of Caracalla, from the collection of Mr. W. S. Bohn, upon which one or other of these instruments figures. On the obverse is the bust of the emperor in armour, laureated, with the inscription as AURELIUS ANTONINUS PIUS AUG. BRIT. (his latest title). On the reverse is the organ; an oblong chest with the pipes above, and a draped figure on each side.