[Footnote 1: Govindananda in his Ratnaprabhâ on S'a@nkara's bhâ@sya, II. ii. 19, explains "bhava" as that from which anything becomes, as merit and demerit (dharmâdi). See also Vibhanga, p. 137 and Warren's Buddhism in Translations, p. 201. Mr Aung says in Abhidhammatthasa@ngaha, p. 189, that bhavo includes kammabhavo (the active side of an existence) and upapattibhavo (the passive side). And the commentators say that bhava is a contraction of "kammabhava" or Karma-becoming i.e. karmic activity.]
[Footnote 2: Prof. De la Vallée Poussin in his Théoric des Douze Causes, p. 26, says that S'âlistambhasûtra explains the word "upâdâna" as "t@r@s@nâvaipulya" or hyper-t@r@s@nâ and Candrakîrtti also gives the same meaning, M. V. (B.T.S.p. 210). Govmdânanda explains "upâdâna" as prav@rtti (movement) generated by t@r@s@nâ (desire), i.e. the active tendency in pursuance of desire. But if upâdâna means "support" it would denote all the five skandhas. Thus Madhyamaka v@rtti says upâdânam pañcaskandhalak@sa@nam…pañcopâdânaskandhâkhyam upâdânam. M.V. XXVII. 6.]
[Footnote 3: Poussin's Théorie des Douze Causes, p. 23.
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birth [Footnote ref 1]. The manner in which the vijñâna produced in the womb is determined by the past vijñâna of the previous existence is according to some authorities of the nature of a reflected image, like the transmission of learning from the teacher to the disciple, like the lighting of a lamp from another lamp or like the impress of a stamp on wax. As all the skandhas are changing in life, so death also is but a similar change; there is no great break, but the same uniform sort of destruction and coming into being. New skandhas are produced as simultaneously as the two scale pans of a balance rise up and fall, in the same manner as a lamp is lighted or an image is reflected. At the death of the man the vijñâna resulting from his previous karmas and vijñânas enters into the womb of that mother (animal, man or the gods) in which the next skandhas are to be matured. This vijñâna thus forms the principle of the new life. It is in this vijñâna that name (nâma) and form (rûpa) become associated.
The vijñâna is indeed a direct product of the sa@mskâras and the sort of birth in which vijñâna should bring down (nâmayati) the new existence (upapatti) is determined by the sa@mskâras [Footnote ref 2], for in reality the happening of death (mara@nabhava) and the instillation of the vijñâna as the beginning of the new life (upapattibhava) cannot be simultaneous, but the latter succeeds just at the next moment, and it is to signify this close succession that they are said to be simultaneous. If the vijñâna had not entered the womb then no nâmarûpa could have appeared [Footnote ref 3].
This chain of twelve causes extends over three lives. Thus avidyâ and sa@mskâra of the past life produce the vijñâna, nâmarupa,
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[Footnote 1: The deities of the gardens, the woods, the trees and the plants, finding the master of the house, Citta, ill said "make your resolution, 'May I be a cakravarttî king in a next existence,'" Sa@myutta, IV. 303.]
[Footnote 2: "sa cedânandavijñâna@m mâtu@hkuk@sim nâvakrâmeta, na tat kalalam kalalatvâya sannivartteta," M. V. 552. Compare Caraka, S'ârîra, III. 5-8, where he speaks of a "upapîduka sattva" which connects the soul with body and by the absence of which the character is changed, the senses become affected and life ceases, when it is in a pure condition one can remember even the previous births; character, purity, antipathy, memory, fear, energy, all mental qualities are produced out of it. Just as a chariot is made by the combination of many elements, so is the foetus.]