"That child's got mighty pretty eyes," soliloquized Captain King, as he marched down the wharf. "I wonder what relation she is to the Grays. She don't seem their sort exactly. She's been raised in the country, I expect; but Mrs. Gray'll polish her up if anybody can, or I'm mistaken. Steady there—what're you about?" as a trunk came bounding and ricochetting across the gangway; "this wharf ain't no skittle-ground!"
Meanwhile the coupé was slowly climbing a steep side-street which led to the Avenue. Looking forth with observant eyes, Candace noted how the houses, which at first were of the last-century build, with hipped roofs and dormer windows like those to which she was accustomed in the old hill village that had been her birthplace, gave way to modernized old houses with recent additions, and then to houses which were unmistakably new, and exhibited all manner of queer peaks and pinnacles and projections, shingled, painted in divers colors, and broken by windows of oddly tinted glass. Next the carriage passed a modern church built of pinkish-brown stone; and immediately after, the equable roll of the wheels showed that they were on a smooth macadamized road. It was, in fact, though Candace did not know it, the famous Bellevue Avenue, which in summer is the favorite drive for all fashionable persons, and thronged from end to end on every fair afternoon by all manner of vehicles, from dainty pony-wagons to enormous mail-coaches.
There were only a few carriages in sight now, though they seemed many to our little country maid. Shops were opening for the season. Men were busy in hanging Eastern rugs and curtains up to view, and arranging in the windows beautiful jars and plates of porcelain and pottery, glittering wares from Turkey and Damascus, carved furniture, and inlaid cabinets. Half a dozen florists exhibited masses of hot-house flowers amid a tangle of palms and tree-ferns; beyond was the announcement of an "opening" by a well-known dressmaker, whose windows were hung with more beautiful things than Candace in her small experience had ever dreamed of before,—laces, silks, embroideries.
The shops gave way to houses, each set in a court-yard gay with newly planted beds of flowers or foliage plants. Vines clustered everywhere; the trees, not yet fully in leaf, were like a tossing spray of delicate fresh green: a sense of hope, of expectation, of something delightful which was being prepared for, seemed to be in the air.
Suddenly the coupé turned in between a pair of substantial stone gate-posts, and drew up before a large square house, with piazzas on two sides, and a small but very smooth lawn, whose closely cut grass looked like green velvet. It was dappled with weeping-trees and evergreens, and hedged with a high wall of shrubs which shut off the view of the street. A continuous flower-bed ran all round the house close to its walls, planted full of geraniums, heliotrope, nasturtiums, mignonette, and pansies. Every window and balcony boasted its box of ferns or flowers; and in spite of the squareness of the building, and the sombre green-gray with which it was painted, the general effect was of cheerfulness, and shade broken by color,—an effect which is always pleasant.
Candace had forgotten herself in the excitement of new sights and experiences; but her shyness came back with a rush as the carriage stopped and the door was opened by a very smart French butler.
"Is Mrs. Gray at home?" she asked timidly, bending forward.
"Descendez, Mademoiselle, s'il vous plaît. Madame est occupée pour le moment; il y a du monde dans le salon." Then, seeing the perplexed look in Candace's eyes, he explained in broken English: "Mees is to get out. Madame is beesy with coompany for little while. Mees will please go up-stair."
Candace got out; the carriage drove away, and she followed the butler into the hall. He gave a low call at the foot of the stairs, which brought down a ladies'-maid with a ruffed cap perched on the back of her head.
"This way, if you please, Miss," she said, and led Candace up the staircase, which was a wide one with three square turns and a broad landing, lit with a range of windows and furnished with a low cushioned seat; then came an upper hall, and she was shown into a pretty corner room.