The very next morning after this conversation, as mamma sat writing in her room upstairs, she heard a wild shriek at the front door. The postman had rapped a moment before, and Lizzie had rushed down to meet him, as she had each day since the dolls were lost. The shriek was so loud and sudden that Mrs. Bruce jumped up; but before she could get to the door in flew Lizzie, holding in her hand a wild huddle of battered blue envelopes with "Dead Letter Office" stamped on their corners, and a mass of pink and gray and green gowns and funny tumbled capes and hats. It was the doll party, returned at last!
"Mamma, mamma," she cried, "what did I tell you? Colonel Wheeler didn't run away with them; he has brought them all home."
There they were indeed; Mrs. Adipose as fat as ever, Mrs. Allen, and all her children, the sister, the sister-in-law, and Colonel Wheeler, erect and dignified as usual, in spite of a green crease across both his legs, and a morsel of postage-stamp in his eye, and wearing an air of conscious merit, which the occasion fully warranted. As Lizzie rapturously embraced him, she cried: "Dear old Colonel, nobody believed in you but me, not even mamma! I knew you hadn't run away with nineteen people. Mamma laughed at me, but she doesn't know you as well as I do. Nobody shall ever laugh at you again."
And nobody did. Colonel Wheeler had earned public confidence, and from that day to this no one has dared to say a word against him in Lizzie's hearing. He has made several journeys to Hingham without the least misadventure, and papa says he would trust him to escort Lizzie herself if it were necessary. He is the hero of the dolls' home, and poor old Mr. Adipose, who never stirs from home, is made miserable by having him held up as a perpetual model for imitation. But unlike the generality of heroes, Colonel Wheeler lives up to his reputation, and is not less modest, useful, and agreeable in the domestic circle because of being so exceptionally meritorious!
[NINETY-THREE AND NINETY-FOUR.]
NINETY-THREE and Ninety-four were two houses standing side by side in the outskirts of a country town, and to all outward appearance as like each other as two peas. They were the pioneer buildings of a small brick block; but as yet the rest of the block had not been built, which was all the better for Ninety-three and Ninety-four, and gave them more space and outlook. Both had French roofs with dormer windows; both front doors "grained" to represent oak, the graining falling into a pattern of regular stripes like a watered silk; and across the front of each, on the ground floor, ran the same little sham balcony of varnished iron,—balconies on which nothing heavier than a cat could venture without risk of bringing the frail structures down into the street.
Inside, the houses differed in trifling respects, as houses must which are under the control of differing minds; but in one point they were precisely alike within,—which was, that the back room of the third story of each was occupied by a girl of seventeen.
It is of these two rooms that I want to tell the story. So much has been said and written of late years about home decoration and the methods of producing it, that I think some other girls of seventeen with rooms to make pretty may like to hear of how Eleanor Pyne and May Blodgett managed theirs.