Of course from the very first there had been the blackboard—the blackboard and all its logical successors. As perversity would have it, it was her father bought her that blackboard. It was to help turn her in the way she should go, for upon this blackboard she was to do her sums. But the sums executed thereon were all performed when some one was standing at her shoulder, while many were the hours spent in the drawing of cats and dogs and fish and birds, of lakes and trees and other little girls and boys. She never had that being-pulled-in-two feeling when she and the blackboard were alone together. The blackboard seemed the only thing which made her all one, and she often wished her father and mother loved their things as she did hers, for if they were only sure, as she was, then what some one else said would not matter at all.

They lived in a university town, her father being a professor in the school. In the later years of her college life he forced her into the scientific courses which she hated. She sighed even now at the memory of those weary hours in the laboratory, though while hating the detail of it, she responded, as her father had never done, to the glimpses she caught of the thing as a whole. It was ironical enough that the only thing she seemed to get from her scientific studies was an enthusiasm for the poetry of science. In those days many thoughts beat hard against the door of Ernestine's loyalty. Why did not her mother see all this—and make her father see it? Was there not a point at which they could have met—and did they not fail in meeting because neither of them went far enough?

It was when she was in her senior year that her father died. She finished out her laboratory work with lavish conscientiousness, feeling a new tenderness of him in the consciousness that his ideas for her had failed. That hour before his funeral, when she sat beside him alone, stood out as among the very vivid moments of her life. The tragedy of his life seemed that he had failed in impressing himself. His keenness of mind had not made for bigness. Life had left an aggressiveness, a certain sullenness in the lines of his face. His mind and his soul had never found one another—was it because his heart had closed the channel between the two?

And then they went to New York and Ernestine began her study of art.

A great light seemed turned back over it all tonight. She understood much now which she had lived through wonderingly. She seemed now really to know that girl who went to New York with all the dreams of all her years calling upon her for fulfillment. She knew what that girl had dreamed when she dreamed she knew not what; knew what she thought when she thought the undefined. She smiled understandingly, tenderly, at thought of it all—the bounding joy and the stubborn determination, the fearing and the demanding and the resolving with which she began her work. She was a great deal like a child on the long-promised holiday, and much like the pilgrim at the shrine. Somewhere between those two was Ernestine that first winter in New York.

It was after the second year, after that strange mixture of things within her had unified to fixed purpose, and after it had become quite certain her dreams had not played her false, that the other big change had come. Her mother slipped away from the life which had never held her in the big grip of reality. She had been so long a longing looker-on from the outer circle that the slipping away was the less hard. Ernestine stopped work in order to care for her, reproaching herself with never having been able to give to her mother with the unrestraint and bounteousness she had given to her work. During those last weeks she often found her mother's eyes—sombre, brooding eyes—following her about the room like the spirit of unrest.

"Try to be happy, Ernestine," she said, when about to leave the house in which she had ever been a stranger. "Life is so awful if you are not happy."

She took her back to the little town and put her away beside the man with whom her soul had never been at peace. That first night she awakened in the dark hours and fancied she heard them quarreling. The hideous fancy would not let her go to sleep, though she told herself over and over that surely death would bring them the peace life had so long withheld.

She went back to her work then with a new steadiness; loneliness feeding the fire of consecration. Often when alone in her room at night she felt those disappointed eyes following her about, heard again that plaintive: "Try to be happy, Ernestine. Life is so awful if you are not happy." She had many times opened the book in which her mother copied the poems written at intervals during the years, but always would come the feeling of their holding something at which it would be hard to look. To-night, with her new understanding, this wondrous new touchstone, she took them from her trunk with eagerness. She longed now to know the secret of her mother's life; she would know why happiness had passed her by.

There was tragedy in those little poems—a soul's long tragedy in their halting lines, in the faltering breath with which they were sung. Indeed they were not the songs of a poet at all; they were but the helpless reaching out of an unsatisfied, unanchored soul. The blackboard had never given back what it should; the crayon would not write. Was it true there were countless souls who went away like this—leaving unsaid a word they had craved to say?