A young man talking of his love does not need a brilliant conversationalist for companion.

And he was a young man in love—that grew plain. Had Katie ever seen such eyes? And as for the mouth—though perhaps most remarkable of all was the voice. Just what did it make Katie think of? He enumerated various things it made him think of, only to express his dissatisfaction with them all as inadequate. Had Katie ever seen any one so beautiful? And with such an adorable shy little way? Had Katie ever heard her say anything about him? Did she think he had any chance? Was there any other fellow? Of course there must have been lots of other fellows in love with her—a girl like that—but had she cared for any of them? Would Katie tell him something about her? She had been reserved about herself—the kind of reserve a fellow wouldn't try to break through. Would Katie tell him of her life and her people? Not that it made any difference with him—oh, he wanted just her. But his mother would want to know—Katie knew how mothers were about things like that. And he did want his mother to like her. Surely she would. How could she help it?

She wondered if Ann knew him for a young man in love. Katie's heart hardened against Ann at the possibility. That would not be playing a fair game. Ann was not in position to let Katie's friends fall in love with her. Katie had not counted on that.

"Have you any reason," she asked, "to think Ann cares for you?"

He laughed happily. "N—o; only I don't think it displeases her to have me say nice things to her." And again he laughed.

Then Ann had encouraged him. A girl had no business to encourage a man to say nice things to her when she knew nothing could come of it.

But Katie's memory there nudged Katie's primness; memory of all the men who had been encouraged to say nice things to Katie Jones, even when it was not desirable—or perhaps even possible—that anything could "come of it."

But of course that was different. Ann was in no position to permit nice things being said to her.

"Katie," he was asking, "where did you first meet her? How did you come to know her? Can't you tell me all about it?"

There came a mad impulse to do so. To say: "I first met her right down there at the edge of the water. She was about to commit suicide. I don't know why. I think she was one of those 'Don't You Care' girls you admired in 'Daisey-Maisey.' But I'm not sure of even that. I didn't want her to kill herself, so I took her in and pretended she was a friend of mine. I made the whole thing up. I even made up her name. She said her name was Verna Woods, but I think that's a made-up name, too. I haven't the glimmering of an idea what her real name is, who her people are, where she came from, or why she wanted to kill herself."