The church of Michoacan was created by a bull of the Pope Paul III. in 1536. The queen of Spain decreed that a cathedral should be constructed in a suitable place, to be selected by the viceroy and the good Bishop Vasco de Quiroga, who was known as a friend of the Tarascans.
Among the members of the second Audiencia, which retrieved by its wisdom the evil deeds of Nuño and his assistants, was an eminent lawyer, the Licenciado Vasco de Quiroga. As the proceedings of Guzman were fresh in everybody's mind, he heard of them, and at once went into the neighborhood of Tzintzuntzan to relieve, if possible, the condition of the people of Calzonzi. They had fled in terror from their homes, deserting the towns and hiding in the mountains. Quiroga, with great perseverance and gentleness, found them out, and prevailed at last upon the poor Tarascans, who came to love him with passionate devotion. He lived among them until 1536, when he was made their bishop, having been quickly passed through the successive grades of promotion necessary for that purpose, for he was, to begin with, a layman and not under orders. While still oidor of the Audiencia he assumed the cares of his office; by the end of the same year he had received all the necessary orders, from the tonsure to the priesthood.
The city of Tzintzuntzan was first selected for the foundation of the cathedral, as the pueblo of the largest population thereabout. It is now a forlorn Indian village, with straggling rows of adobe huts running down a slope towards the lonely Lake Patzcuaro. Pottery is made there by the simplest methods from clay which abounds in the neighborhood; the people are ignorant, gentle Indians, pursuing their humble lives with the content which characterizes the native Mexican. But behind an orchard of large old olive-trees neglected and decaying, is the parish church, which contains a wonderful picture, so wonderful as to be startling among such incongruous surroundings. In the sacristy, and lighted by one little window with small panes of glass, is a large and impressive canvas, representing the entombment of our Saviour. Surrounding the dead Christ are the Virgin, the Magdalen, St. John, and other figures, all life size. One of the figures in the background is said to be the bishop of Philip II., and tradition asserts positively that the picture is by Titian. The composition, grouping, and treatment are certainly like Titian, especially the introduction of a bit of landscape in the upper left-hand corner. It is possible that the picture is by the great master; even if not, the interest attaching to it is great, for it is beautiful, whoever painted it, and far beyond, as well as utterly different from, many of the altar pieces and "old masters" which abound in Mexico without any value whatever. It is possible that Philip II. sent the picture, or more likely that before his time Charles V., who personally knew Quiroga, and possibly loved him, caused the picture to be sent him for his Indians by reason of his devotion to them, and the eloquence with which he reported their cause to his royal master. This would account for its being in the little church at Tzintzuntzan, where the documents say Quiroga was bishop only for one year. If Charles sent the picture, the likeness of Philip was taken before he had come to the throne, and was only Prince Imperial. As for its remaining at Tzintzuntzan, instead of finding a fit place in the cathedral of Morelia, the Indians have in every generation absolutely refused to have it removed. It would be a brave archbishop, or secular authority who should endeavor now to take it away from them. Unguarded, it hangs in the bare little sacristy, safe and uninjured by irreverent touch.
The cathedral was begun at Patzcuaro, and was to be, says the account, "so magnificent that it has entirely filled the imagination of all those who can remember it." But it was decided that the ground it was on was too near the lake to support so great a structure. In 1550 the king of Spain sent to command a suspension of the works, and it was finally built at Valladolid, where it now stands, a beautiful building, superior to the cathedral in the city of Mexico. It was only completed in 1744. It stands in an open space between two plazas, where the effect of the two lofty well-proportioned towers is uninterrupted by other buildings. The Mexicans delight in church bells, and the towers of the Morelia cathedral are well provided with them, great and small, for all occasions. On a feast-day of the Church these bells are ringing continuously, filling the air of the town with their joyous clangor.
Cortés was away when the Viceroy Mendoza arrived in Mexico. He still retained his title of governor, with the same powers always conferred upon him; but his long absences from the capital made it necessary, as he fully recognized, that some other strong authority should be established there. Nevertheless, he never got on very well with such other authorities, and on his return soon became at odds with Mendoza, who, in his opinion, interfered with his prerogatives. It was then that Cortés bade farewell to his family, and taking with him his eldest son and heir, Don Martin, then eight years old, he embarked for Spain, leaving Mendoza undisturbed in the execution of his office.
It is evident that the rule of the viceroy was judicious and well adapted to grafting a new civilization upon the old. The native tribes were made peaceable without a great deal of contention, and by the adroit and gentle management of the viceroy, ably helped by the religious orders who came to his assistance, readily transferred their old beliefs to the mysteries and miracles of the Roman Catholic faith.
CATHEDRAL AT MORELIA.