"Who's sick in the place?"
"Quite a number. There's Mrs. Wilson at the tavern; she's sinking at last; my husband sees her every day. Then old Josh Lightfoot—he's down with I don't know what; very sick. Mrs. Saddler has a child that has been hurt; he was pitched off a load of hay and fell upon a fork; his mother is distracted about him, and it is all Mr. Masters can do to quiet her. And Lizzie Satterthwaite is going slowly, you know, in consumption, and she expects to see him every day. And that isn't all; for over in the village of Bromble there is sickness—I suppose there always is in that miserable place."
"And the minister goes there too, I'll be bound?"
"O yes. He goes everywhere, if people want him. It takes twenty miles of riding a day, he told me, just to visit all these people that he must see."
"Ay, ay," said the old woman contentedly; "enjoyment ain't the end of life, but to do the will of God; and he's doin' it. And enjoyment comes that way, too; ay, ay! 'an hundred-fold now, in this world, and in the world to come eternal life.' I hain't ever been able to do much, Diana; but it has been sweet—his service—all along the way; and now I'm goin' where it'll be nothin' but sweetness for ever."
A little tired, perhaps, with talking, for she had talked with a good deal of energy, the old lady dozed off into a nap; and Diana sat alone with the summer stillness, and thought over and over some of the words that had been said. It was the hush of the summer stillness, and also the full pulse of the summer life that she felt as she sat there; not soothing to inaction, but stirring up the loving doing. A warm breath of vital energy, an odorous witness-bearing of life fruitfulness, a hum and a murmur of harmonious forces in action, a depth of colour in the light and in the shadow, which told of the richness and fullness of the natural world. Nothing idle, nothing unfruitful, nothing out of harmony, nothing in vain. How about Diana Masters, and her work and her part in the great plan? Again the gentle summer air which stole in, laden with such scents and sweets, rich and bountiful out of the infinite treasury, spoke of love at the heart of creation. But there were cold winds, too, sometimes; icy storms; desolations of tempests; they had been here not long ago. True, but yet it was not those, but this which carried on the life of the world; this was the "Yes," and those others the "No," of creation; and an affirmative is stronger than a negative any day, by universal acknowledgment. Moreover, that "No" was in order to this "Yes;" gave way before it, yielded to it; and life reigned in spite of death. Vaguely Diana's mind felt and carried on the analogy, and the reasoning from analogy, and drew a chill, far-off hope from it. For it was the time of storm and desolation with her now, and the summer sun had not come yet. She sat musing while the old lady slumbered.
"Hullo, Diany! here you be!" exclaimed the voice of Joe Bartlett, suddenly breaking in. "Here's your good man outside, waitin' for you, I guess; his horse is a leetle skittish. What ails your mother?"
"My mother?"
"Yes. Josh says—you see, I've bin down to mill to git some rye ground, and he was there; and what's more, he had the start of me, and I had to wait for him, or I wouldn't ha' stood there chatterin' while the sun was shinin' like it is to-day; that ain't my way. But Josh says she's goin' round groanin' at sun'thin'—and that ain't her way, nother. Mind you, it ain't when anybody's by; I warrant you, she don't give no sign then that anythin's botherin' her; Josh says it's when she's alone. I didn't ask him how he come to know so much, and so little; but I wisht I had," Joe finished his speech laughing.
Diana took her hat, kissed the old woman, and went out to her husband, who was waiting for her. And some miles of the drive were made in silence. Then as the old brown house came in sight, with the weeping elms over the gate, Diana asked her husband to stop for a minute or two. He reined up under the elm trees and helped Diana out, letting her, however, go in alone.