"His name was Fra Angelico—by reason of the angelic character which belonged to him and to his paintings; otherwise Fra Giovanni; he was a monk in a Dominican cloister. He entered the convent when he was twenty years old; and from that time, till he was sixty-eight, he served God and his generation by painting."

Lois looked somewhat incredulous. Mr. Dillwyn here took from one of his pockets a small case, opened it and put it in her hands. It was an excellent copy of a bit of Fra Angelico's work.

"That," he said as he gave it her, "is the head of one of Fra Angelico's angels, from a group in a large picture. I had this copy made for myself some years ago—at a time when I only dimly felt what now I am beginning to understand."

Lois scarce heard what he said. From the time she received the picture in her hands she lost all thought of everything else. The unearthly beauty and purity, the heavenly devotion and joy, seized her heart as with a spell. The delicate lines of the face, the sweet colouring, the finished, perfect handling, were most admirable; but it was the marvellous spiritual love and purity which so took possession of Lois. Her eyes filled and her cheeks flushed. It was, so far as painting could give it, the truth of heaven; and that goes to the heart of the human creature who perceives it. Mr. Dillwyn was watching her, meanwhile, and could look safely, secure that Lois was in no danger of finding it out; and while she, very likely, was thinking of the distance between that angel face and her own, Philip, on the other hand, was following the line of his sister's thought, and tracing the fancied likeness. Like one of Fra Angelico's angels! Yes, there was the same sort of grave purity, of unworldly if not unearthly spiritual beauty. Truly the rapt joy was not there, nor the unshadowed triumph; but love,—and innocence,—and humility,—and truth; and not a stain of the world upon it. Lois said not one word, but looked and looked, till at last she tendered the picture back to its owner.

"Perhaps you would like to keep it," said he, "and show it to your sister."

He brought it to have Madge see it! thought Lois. Aloud—

"No—she would enjoy it a great deal more if you showed it to her;—then you could tell her about it."

"I think you could explain it better."

As he made no motion to take back the picture, Lois drew in her hand again and took a further view. How beautiful was the fair, bright, rapt, blissful face of the angel!—as if, indeed, he were looking at heaven's glories.

"Did he—did the painter—always paint like this?"