Toronto is very rich in handsome churches, which form one of its chief attractions. I was greatly struck with the elegant spire of Knox's church, which is perhaps the most graceful in the city. The body of the church, however, seems rather too short, and out of proportion, for the tall slender tower, which would have appeared to much greater advantage attached to a building double the length.
Nothing attracted my attention, or interested me more, than the handsome, well-supplied book stores. Those of Armour, Scobie, and Maclean, are equal to many in London in appearance, and far superior to those that were to be found in Norwich and Ipswich thirty years ago.
This speaks well for the mental improvement of Canada, and is a proof that people have more leisure for acquiring book lore, and more money for the purchase of books, than they had some years ago. The piracies of the Americans have realized the old proverb, "That 'tis an ill wind that blows nobody any good." Incalculable are the benefits that Canada derives from her cheap reprints of all the European standard works, which, on good paper and in handsome bindings, can be bought at a quarter the price of the English editions. This circumstance must always make the Canadas a bad market for English publications. Most of these, it is true, can be procured by wealthy individuals at the book stores mentioned above, but the American reprints of the same works abound a hundred-fold.
Novels form the most attractive species of reading here for the young; and the best of these, in pamphlet form, may be procured for from twenty-five to fifty cents. And here I must claim the privilege of speaking a few words in defence of both novel readers and novel writers, in spite of the horror which I fancy I see depicted on many a grave countenance.
There are many good and conscientious persons who regard novels and novel writers with devout horror, who condemn their works, however moral in their tendency, as unfit for the perusal of responsible and intelligent creatures, who will not admit into their libraries any books but such as treat of religious, historical, or scientific subjects, imagining, and we think very erroneously, that all works of fiction have a demoralizing effect, and tend to weaken the judgment, and enervate the mind.
We will, however, allow that there is both truth and sound sense in some of these objections; that if a young person's reading is entirely confined to this class of literature, and that of an inferior sort, a great deal of harm may be the result, as many of these works are apt to convey to them false and exaggerated pictures of life. Such a course of reading would produce the same effect upon the mind as a constant diet of sweetmeats would upon the stomach; it would destroy the digestion, and induce a loathing for more wholesome food.
Still, the mind requires recreation as well as the body, and cannot always be engaged upon serious studies without injury to the brain, and the disarrangement of some of the most important organs of the body. Now, we think it could be satisfactorily proved, in spite of the stern crusade perpetually waged against works of fiction by a large portion of well-meaning people, that much good has been done in the world through their instrumentality.
Most novels and romances, particularly those of the modern school, are founded upon real incidents, and, like the best heads in the artist's picture, the characters are drawn from life; and the closer the drawing or story approximates to nature, the more interesting and popular will it become. Though a vast number of these works are daily pouring from the British and American press, it is only those of a very high class that are generally read, and become as familiar as household words. The tastes of individuals differ widely on articles of dress, food, and amusement; but there is a wonderful affinity in the minds of men, as regards works of literature. A book that appeals strongly to the passions, if true to nature, will strike nearly all alike, and obtain a world-wide popularity, while the mere fiction sinks back into obscurity--is once read and forgotten.
The works of Smollett and Fielding were admirable pictures of society as it existed in their day; but we live in a more refined age, and few young people would feel any pleasure in the coarse pictures exhibited in those once celebrated works. The novels of Richardson, recommended by grave divines from the pulpit as perfect models of purity and virtue, would now be cast aside with indifference and disgust. They were considered quite the reverse in the age he wrote, and he was regarded as one of the great reformers of the vices of his time. We may therefore conclude, that, although repugnant to our taste and feelings, they were the means of effecting much good in a gross and licentious age.
In the writings of our great modern novelists, virtue is never debased, nor vice exalted; but there is a constant endeavour to impress upon the mind of the reader the true wisdom of the one, and the folly of the other; and where the author fails to create an interest in the fate of his hero or heroine, it is not because they are bad or immoral characters, like Lovelace in Clarissa Harlowe, and Lord B--- in Pamela, but that, like Sir Charles Grandison, they are too good for reality, and their very faultlessness renders them, like the said Sir Charles, affected and unnatural. Where high moral excellence is represented as struggling with the faults and follies common to humanity, sometimes yielding to temptation, and reaping the bitter fruits, and at other times successfully resisting the allurements of vice, all our sympathies are engaged in the contest; it becomes our own, and we follow the hero through all his trials, weep over his fall, or triumph in his success.