7
An artist is delighted if he finds a study with a perfect hand or a beautiful neck; or, in nature, if a simple charm is left undisturbed by the confusion of human creation. Yet at night as our ship passed the island of Maui, it seemed to me that all the sweet simplicities that make life worth while had been assembled here in the beginning of the world and left untouched. The moon rose on the peak of the cone-shaped mountain, and for a time stood set, like a moonstone in a ring. The pyramid of night-blue earth was necklaced in street lights, which stretched their frilled reflections across the surface of the sea; and just back of it all lay the crater of Haleakala, the House of the Sun.
Photo, Otto C. Gilmore
A BLIZZARD OF FUMING HEAT
Photo, Otto C. Gilmore
WHERE THE TIDES TURN TO STONE
At sunrise next morning we were docked at Hilo on the island of Hawaii, two hundred miles from Honolulu. There was nothing here impressive to me, despite the waterfalls. For two and a half hours we drove by motor over the turtle-back surface of Hawaii toward Kilauea. Tree-ferns, palms, and plantations stretched in unending recession far and wide. A sense of mystery and awe crept slowly over me as we neared the region of the volcano. At eleven we arrived at the Volcano House.
Yet, in a mood of strange indifference I gazed across the five miles of flat, dark-brown frozen lava which is the roof of the crater. Ash-colored fumes rose from the field of fissures, like smoke from an underground village. Sullen, sallow vapors, these. Sulphur banks, tree molds cast in frozen lava, empty holes! Nothing within left to rot, but fringed with forests and brush, sulphur-stained or rooted in frozen lava. Everywhere promise of volcanic fury, prophecy of the end of the world.