As the officer issued his order for embarkation, there was a momentary commotion. Soldiers, by no means unfriendly to their prisoners, assisted them in the placing of luggage on the boat. The men, turning to their women and children with warm embraces, called in forced cheerfulness that they would soon be back. All the men stepped into the rowboats and with full, powerful strokes of Samoan oarsmen they were borne out across the reefs toward the steamer anchored beyond. Upon the beach remained bewildered native women and their half-caste children, some of them in an agony of grief now run wild. One family lingered, weeping silently. A group of two middle-aged women, a girl of about twenty, two small girls, and two boys stood gazing out toward the ship. They brushed away tears absent-mindedly. A little girl and boy cried quietly. And like that white wife in the temperate world, these dark-skinned women of the tropics were left to wonder whether their husbands would remain faithful to them in a world of which they had vague if not altogether wrong notions.
A full, mellow afterglow threw the ship for a moment into relief, and twilight lowered. Upon the end pile of the pier sat a young Samoan in a halo of dim light. From this modern scene which may some day be the theme for a South Sea "Evangeline" I moved away wondering what this cleavage of people would mean to the Polynesians. An unconscious curiosity led me into the village. It was night. From the various huts rang the voices of happy natives. Fires flamed under their evening meals. Dim lamps revealed shadow-figures of men and women. A slight drizzle brushed over the valley and disappeared. Then the firm tread of feet sounded in the dusty road. About twenty girls, two abreast, stamping their naked feet, passed by and on into the darkness to drop, matrice-like, each into her own home. Earlier that evening they had escorted to the ship the white woman who was their missionary teacher. One long skiff had held them all. Each had a single oar in hand, short and spear-headed, with which she struck the gunwale of the boat after every stroke, thus beating time to a native song. Here was another case of contact and cleavage. Their teacher was returning to her land, leaving them with the glimmer of her ideals, her notions of life and loyalty. How much of it would hold them? Coming and going, the fusion of races, once of a common stock, is taking place.
| In European clothes | With her New Zealand husband at home | In her native costume |
THREE VIEWS OF A MAORI WOMAN
2
I cannot recall having received any definite invitation from any of the principals responsible for the party I attended one evening in Apia, but in the islands the respectable stranger does not find himself lonely. It was sufficient that I was a friend of one of the guests. Four young men who were leaving were given a send-off; and the celebrations were to take place in the little Sunday-school shack.
That evening the little structure was metamorphosed from crude solemnity by a generous trimming in palm branches and flowers, as though it had been turned outside in. Oil-lamps hung from the rafters by stiff wires, unyielding even to the weight of the light-giving vessels. The awkwardness of some of the natives in their relations with the whites could not be overcome even by their obvious inclination. But the music stirred us all into a whirl of equality. It was furnished by an old crone of a native woman. She was dressed in a shabby Mother-Hubbard gown and her feet were bare. Her stiff fingers worked upon the keys of an accordion in a sluggish fashion, as she confused old-fashioned barn-dances with sentimental melodies. She was stirred on to greater sentiment by the teasing approaches of one white man fully three-quarters drunk. As for the dancers,—what to them were half-expressed notes? Their own fresh blood more than overcame any lack.
A GROUP OF WHITES AND HALF-CASTES IN SAMOA
The father of the two girls was a lawyer and the son of a Sydney (Australia) clergyman
