ZUTPHEN, GELDERLAND
HALFWEG, NORTH HOLLAND
HALFWEG, NORTH HOLLAND SHOWING CONSTRUCTION OF FARMHOUSE
Those principles that imparted to the domestic architecture of Holland its picturesqueness, and so gave to it its most valued possession, were strained to the uttermost as the freshness of the Transitional style declined. The influences bequeathed from former ages were running out. Extreme freedom of design, although showing certain originality and character, was not accompanied by necessary restraint. Architects sometimes cast aside all the limitations of their art and gave themselves up to unreasonable over-elaboration and the grotesque; they ignored the fact—true for all time—that construction must form the basis for ornamental detail. But it must not be thought that this was always so. There is, however, certain work of this period that cannot seriously be accepted as good. Brickwork and stone continued to be employed and were still associated with excellent workmanship, as was the carpentry. There was evidently yet, as the many dated buildings prove, a large body of men who had complete mastery of their particular crafts, men versed in that traditional skill which had come down unbrokenly from mediæval days. Prominence was given to the numerous door and window openings, which were heavily moulded and often surmounted by pediments. Gables were shaped in endless ways and upon them almost every conceivable combination of curves was employed. Pilasters and cornices, swags and festoons, with strap ornament, scrolls and ornate iron wall-ties, all generally of debased Renaissance character, contributed to the rich profusion.
SPAARNDAM, NORTH HOLLAND