ZUTPHEN, GELDERLAND
Other wrought ironwork was used for various purposes on doors and windows, as well as to heighten the effect of certain features. A good instance of its application is demonstrated by the key-escutcheon, with supporting iron decorations, from Middelburg (page [123]). The workmanship is of a traditional kind, with Gothic forms recalled by the cusps on the pierced plates. The iron door-knocker, appearing on the same page, is an interesting example of curious design and belongs to the sixteenth or seventeenth century. For windows, ironwork was used in the stout stay-bars and stanchions, instances of which, fitted to an oval opening, are furnished from Leiden (page [122]).
The magnificent wrought vanes of Holland, surmounting lofty belfries on public buildings, are justly famous and are reflected in the less elaborate shapes that adorn the roof points or gable terminations of business and dwelling-houses. One, from Middelburg (page [122]), is a beautiful example of an iron terminal. The crowning figure and fleur-de-lis are gilded, while signs and symbols of the Zodiac are worked around the outer and inner open-framed globes. Simpler vanes are common throughout the country, attached to farmhouses or stables. That from Broek (page [122]) is shaped like a swan; one may be seen at Veere which takes the form of a ship. The shaft of the weathercock from Hees (page [124]) is made up of iron scrolls, welded together, and four projecting arms point to north, south, east and west.
HOORN, NORTH HOLLAND
FRANEKER, FRIESLAND (CURVED GABLES DATED 1573)
The leadwork to be observed on domestic buildings is not of remarkable interest. There are no wonderful decorated rain-water heads such as may be seen elsewhere, and lead heads, when used at all, are for the most part comparatively plain, square projections. The examples from Zutphen, reproduced on page [122], illustrate two ordinary forms. An interesting feature, prevalent in North Holland, is the lead finial placed at the apex of a hipped roof. There are many examples in the streets of Hoorn, three of which are shown on page [124]. Notice should be taken of the delicate little fretwork heads; the repoussé patterns on the upright sides; and the iron vane which surmounts one of the examples. These objects, although of little practical use, have a decorative value that well justifies their existence. In all these exterior features and details, whether executed in wood or stone, metal or brick, there is especial evidence of the type of mind that was concerned with their production; they pertinently give the key to temperament and character. Such work resulted from deliberate thought and calculation, rather than from imaginative impulse. Sometimes it verged on dulness, yet there is always traceable a certain solid strength and vigour. This is well seen in the stone carvings, here illustrated, whose subjects are often lacking in originality or follow some oft-repeated theme. They are excellently carved, however, and attain interest in consequence. For the individuality of the masons is reflected in the inanimate stone. They gave life to their work and freshness to old subjects. Each man followed his own bent. Some were a little in advance of their time, some behind it, so there are endless variations to patterns that superficially agree. A new turn was given to a scroll here, a different arrangement there; just small things that served to raise work from the conventional and commonplace.
