The ancient Maya, with whom this volume deals, emerged from barbarism probably during the first or second century of the Christian Era; at least their earliest dated monument can not be ascribed with safety to a more remote period.[[2]] How long a time had been required for the development of their complex calendar and hieroglyphic system to the point of graphic record, it is impossible to say, and any estimate can be only conjectural. It is certain, however, that a long interval must have elapsed from the first crude and unrelated scratches of savagery to the elaborate and involved hieroglyphs found on the earliest monuments, which represent not only the work of highly skilled sculptors, but also the thought of intensively developed minds. That this period was measured by centuries rather than by decades seems probable; the achievement was far too great to have been performed in a single generation or even in five or ten.
It seems safe to assume, therefore, that by the end of the second century of the Christian Era the Maya civilization was fairly on its feet. There then began an extraordinary development all along the line. City after city sprang into prominence throughout the southern part of the Maya territory,[[3]] each contributing its share to the general progress and art of the time. With accomplishment came confidence and a quickening of pace. All activities doubtless shared in the general uplift which followed, though little more than the material evidences of architecture and sculpture have survived the ravages of the destructive environment in which this culture flourished; and it is chiefly from these remnants of ancient Maya art that the record of progress has been partially reconstructed.
This period of development, which lasted upward of 400 years, or until about the close of the sixth century, may be called
perhaps the "Golden Age of the Maya"; at least it was the first great epoch in their history, and so far as sculpture is concerned, the one best comparable to the classic period of Greek art. While sculpture among the Maya never again reached so high a degree of perfection, architecture steadily developed, almost to the last. Judging from the dates inscribed upon their monuments, all the great cities of the south flourished during this period: Palenque and Yaxchilan in what is now southern Mexico; Piedras Negras, Seibal, Tikal, Naranjo, and Quirigua in the present Guatemala; and Copan in the present Honduras. All these cities rose to greatness and sank again into insignificance, if not indeed into oblivion, before the close of this Golden Age.
The causes which led to the decline of civilization in the south are unknown. It has been conjectured that the Maya were driven from their southern homes by stronger peoples pushing in from farther south and from the west, or again, that the Maya civilization, having run its natural course, collapsed through sheer lack of inherent power to advance. Which, if either, of these hypotheses be true, matters little, since in any event one all-important fact remains: Just after the close of Cycle 9 of Maya chronology, toward the end of the sixth century, there is a sudden and final cessation of dates in all the southern cities, apparently indicating that they were abandoned about this time.
Still another condition doubtless hastened the general decline if indeed it did no more. There is strong documentary evidence[[4]] that about the middle or close of the fifth century the southern part of Yucatan was discovered and colonized. In the century following, the southern cities one by one sank into decay; at least none of their monuments bear later dates, and coincidently Chichen Itza, the first great city of the north, was founded and rose to prominence. In the absence of reliable contemporaneous records it is impossible to establish the absolute accuracy of any theory relating to times so
remote as those here under consideration; but it seems not improbable that after the discovery of Yucatan and the subsequent opening up of that vast region, the southern cities commenced to decline. As the new country waxed the old waned, so that by the end of the sixth century the rise of the one and the fall of the other had occurred.
The occupation and colonization of Yucatan marked the dawn of a new era for the Maya although their Renaissance did not take place at once. Under pressure of the new environment, at best a parched and waterless land, the Maya civilization doubtless underwent important modification.[[5]] The period of colonization, with the strenuous labor by which it was marked, was not conducive to progress in the arts. At first the struggle for bare existence must have absorbed in a large measure the energies of all, and not until their foothold was secure could much time have been available for the cultivation of the gentler pursuits. Then, too, at first there seems to have been a feeling of unrest in the new land, a shifting of homes and a testing of localities, all of which retarded the development of architecture, sculpture, and other arts. Bakhalal (see pl. [1]), the first settlement in the north, was occupied for only 60 years. Chichen Itza, the next location, although occupied for more than a century, was finally abandoned and the search for a new home resumed. Moving westward from Chichen Itza, Chakanputun was seized and occupied at the beginning of the eighth century. Here the Maya are said to have lived for 260 years, until the destruction of Chakanputun by fire about 960 A. D. again set them wandering. By this time, however, some four centuries had elapsed since the first colonization of the country, and they doubtless felt themselves fully competent to cope with any problems arising from their environment. Once more their energies had begun to find outlet in artistic expression. The Transitional Period was at an end, and The Maya Renaissance, if the term may be used, was fully under way.
The opening of the eleventh century witnessed important and far-reaching political changes in Yucatan. After the destruction of Chakanputun the horizon of Maya activity expanded. Some of the fugitives from Chakanputun reoccupied Chichen Itza while others established themselves at a new site called Mayapan. About this time also the city of Uxmal seems to have been founded. In the year 1000 these three cities—Chichen Itza, Uxmal, and Mayapan—formed a confederacy,[[6]] in which each was to share equally in the government of the country. Under the peaceful conditions which
followed the formation of this confederacy for the next 200 years the arts blossomed forth anew.