Scarcely less important was the great god Kukulcan, or Feathered Serpent, the personification of the West. It is related of him that he came into Yucatan from the west and settled at Chichen Itza, where he ruled for many years and built a great temple. During his sojourn he is said to have founded the city of Mayapan, which later became so important. Finally, having brought the country out of war and dissension to peace and prosperity, he left by the same way he had entered, tarrying only at Chakanputun on the west coast to build a splendid temple as an everlasting memorial of his residence among the people. After his departure he was worshipped as a god because of what he had done for the public good. Kukulcan was the Maya counterpart of the Aztec Quetzalcoatl, the Mexican god of light, learning, and culture. In the Maya pantheon he was regarded as having been the great organizer, the founder of cities, the framer of laws, and the teacher of their new calendar. Indeed, his attributes
and life history are so human that it is not improbable he may have been an actual historical character, some great lawgiver and organizer, the memory of whose benefactions lingered long after death, and whose personality was eventually deified. The episodes of his life suggest he may have been the recolonizer of Chichen Itza after the destruction of Chakanputun. Kukulcan has been identified by some as the "old god" of the picture-writings (fig. [2]), whose characteristics are: Two deformed teeth, one protruding from the front and one from the back part of his mouth, and the long tapering nose. He is to be distinguished further by his peculiar headdress.
Fig. 3. Ahpuch, God of Death (note his name glyphs, below).
The most feared and hated of all the Maya deities was Ahpuch, the Lord of Death, God "Barebones" as an early manuscript calls him, from whom evil and especially death were thought to come. He is frequently represented in the picture-writings (fig. [3]), usually in connection with the idea of death. He is associated with human sacrifice, suicide by hanging, death in childbirth, and the beheaded captive. His characteristics are typical and unmistakable. His head is the fleshless skull, showing the truncated nose, the grinning teeth, and fleshless lower jaw, sometimes even the cranial sutures are portrayed. In some places the ribs and vertebrae are shown, in others the body is spotted black as if to suggest the discoloration of death. A very constant symbol is the stiff feather collar with small bells attached. These bells also appear as ornaments on the head, arms, and ankles. The to us familiar crossbones were also another Maya death symbol. Even the hieroglyph of this god (fig. [3]) suggests the dread idea for which he stood. Note the eye closed in death.
Fig. 4. The God of War (note his name glyph, below).
Closely associated with the God of Death is the God of War, who probably stood as well for the larger idea of death by violence. He is characterized (fig. [4]) by a black line painted on his face, sometimes curving, sometimes straight, supposed to be symbolical of war paint, or, according to others, of his gaping wounds. He appears in the picture-writings as the Death God's companion. He presides with him over the body of a sacrificial victim, and again follows him applying torch and knife to the habitations of man. His hieroglyph shows as its characteristic the line of black paint (fig. [4]).