But we need not go so far. What is that monument in Greenwood? It is to the doctors who fell in the Southern epidemics. Why go? Were there not enough sick to be attended in these Northern latitudes? Oh, yes; but the doctor puts a few medical books in his valise, and some vials of medicine, and leaves his patients here in the hands of other physicians, and takes the rail-train. Before he gets to the infected regions he passes crowded rail-trains, regular and extra, taking the flying and affrighted populations. He arrives in a city over which a great horror is brooding. He goes from couch to couch, feeling of pulse and studying symptoms, and prescribing day after day, night after night, until a fellow-physician says: "Doctor, you had better go home and rest; you look miserable." But he can not rest while so many are suffering. On and on, until some morning finds him in a delirium, in which he talks of home, and then rises and says he must go and look after those patients. He is told to lie down; but he fights his attendants until he falls back, and is weaker and weaker, and dies for people with whom he had no kinship, and far away from his own family, and is hastily put away in a stranger's tomb, and only the fifth part of a newspaper line tells us of his sacrifice—his name just mentioned among five. Yet he has touched the furthest height of sublimity in that three weeks of humanitarian service. He goes straight as an arrow to the bosom of Him who said: "I was sick and ye visited Me." Life for life. Blood for blood. Substitution!
In the legal profession I see the same principle of self-sacrifice. In 1846, William Freeman, a pauperized and idiotic negro, was at Auburn, N.Y., on trial for murder. He had slain the entire Van Nest family. The foaming wrath of the community could be kept off him only by armed constables. Who would volunteer to be his counsel? No attorney wanted to sacrifice his popularity by such an ungrateful task. All were silent save one, a young lawyer with feeble voice, that could hardly be heard outside the bar, pale and thin and awkward. It was William H. Seward, who saw that the prisoner was idiotic and irresponsible, and ought to be put in an asylum rather than put to death, the heroic counsel uttering these beautiful words:
"I speak now in the hearing of a people who have prejudged prisoner and condemned me for pleading in his behalf. He is a convict, a pauper, a negro, without intellect, sense, or emotion. My child with an affectionate smile disarms my care-worn face of its frown whenever I cross my threshold. The beggar in the street obliges me to give because he says, 'God bless you!' as I pass. My dog caresses me with fondness if I will but smile on him. My horse recognizes me when I fill his manger. What reward, what gratitude, what sympathy and affection can I expect here? There the prisoner sits. Look at him. Look at the assemblage around you. Listen to their ill-suppressed censures and their excited fears, and tell me where among my neighbors or my fellow-men, where, even in his heart, I can expect to find a sentiment, a thought, not to say of reward or of acknowledgment, or even of recognition? Gentlemen, you may think of this evidence what you please, bring in what verdict you can, but I asseverate before Heaven and you, that, to the best of my knowledge and belief, the prisoner at the bar does not at this moment know why it is that my shadow falls on you instead of his own."
The gallows got its victim, but the post-mortem examination of the poor creature showed to all the surgeons and to all the world that the public were wrong, and William H. Seward was right, and that hard, stony step of obloquy in the Auburn court-room was the first step of the stairs of fame up which he went to the top, or to within one step of the top, that last denied him through the treachery of American politics. Nothing sublimer was ever seen in an American court-room than William H. Seward, without reward, standing between the fury of the populace and the loathsome imbecile. Substitution!
In the realm of the fine arts there was as remarkable an instance. A brilliant but hypercriticised painter, Joseph William Turner, was met by a volley of abuse from all the art galleries of Europe. His paintings, which have since won the applause of all civilized nations, "The Fifth Plague of Egypt," "Fishermen on a Lee Shore in Squally Weather," "Calais Pier," "The Sun Rising Through Mist," and "Dido Building Carthage," were then targets for critics to shoot at. In defense of this outrageously abused man, a young author of twenty-four years, just one year out of college, came forth with his pen, and wrote the ablest and most famous essays on art that the world ever saw, or ever will see—John Ruskin's "Modern Painters." For seventeen years this author fought the battles of the maltreated artist, and after, in poverty and broken-heartedness, the painter had died, and the public tried to undo their cruelties toward him by giving him a big funeral and burial at St. Paul's Cathedral, his old-time friend took out of a tin box nineteen thousand pieces of paper containing drawings by the old painter, and through many weary and uncompensated months assorted and arranged them for public observation. People say John Ruskin in his old days is cross, misanthropic, and morbid. Whatever he may do that he ought not to do, and whatever he may say that he ought not to say between now and his death, he will leave this world insolvent as far as it has any capacity to pay this author's pen for its chivalric and Christian defense of a poor painter's pencil. John Ruskin for William Turner. Blood for blood. Substitution!
What an exalting principle this which leads one to suffer for another! Nothing so kindles enthusiasm or awakens eloquence, or chimes poetic canto, or moves nations. The principle is the dominant one in our religion—Christ the Martyr, Christ the celestial Hero, Christ the Defender, Christ the Substitute. No new principle, for it was as old as human nature; but now on a grander, wider, higher, deeper, and more world-resounding scale! The shepherd boy as a champion for Israel with a sling toppled the giant of Philistine braggadocio in the dust; but here is another David who, for all the armies of churches militant and triumphant, hurls the Goliath of perdition into defeat, the crash of his brazen armor like an explosion at Hell Gate. Abraham had at God's command agreed to sacrifice his son Isaac, and the same God just in time had provided a ram of the thicket as a substitute; but here is another Isaac bound to the altar, and no hand arrests the sharp edges of laceration and death, and the universe shivers and quakes and recoils and groans at the horror.
All good men have for centuries been trying to tell whom this Substitute was like, and every comparison, inspired and uninspired, evangelistic, prophetic, apostolic, and human, falls short, for Christ was the Great Unlike. Adam a type of Christ, because he came directly from God; Noah a type of Christ, because he delivered his own family from deluge; Melchisedec a type of Christ, because he had no predecessor or successor; Joseph a type of Christ, because he was cast out by his brethren; Moses a type of Christ, because he was a deliverer from bondage; Joshua a type of Christ, because he was a conqueror; Samson a type of Christ, because of his strength to slay the lions and carry off the iron gates of impossibility; Solomon a type of Christ, in the affluence of his dominion; Jonah a type of Christ, because of the stormy sea in which he threw himself for the rescue of others; but put together Adam and Noah and Melchisedec and Joseph and Moses and Joshua and Samson and Solomon and Jonah, and they would not make a fragment of a Christ, a quarter of a Christ, the half of a Christ, or the millionth part of a Christ.
He forsook a throne and sat down on His own footstool. He came from the top of glory to the bottom of humiliation, and changed a circumference seraphic for a circumference diabolic. Once waited on by angels, now hissed at by brigands. From afar and high up He came down; past meteors swifter than they; by starry thrones, Himself more lustrous; past larger worlds to smaller worlds; down stairs of firmaments, and from cloud to cloud, and through tree-tops and into the earners stall, to thrust His shoulder under our burdens and take the lances of pain through His vitals, and wrapped himself in all the agonies which we deserve for our misdoings, and stood on the splitting decks of a foundering vessel, amid the drenching surf of the sea, and passed midnights on the mountains amid wild beasts of prey, and stood at the point where all earthly and infernal hostilities charged on Him at once with their keen sabers—our Substitute!
When did attorney ever endure so much for a pauper client, or physician for the patient in the lazaretto, or mother for the child in membranous croup, as Christ for us, and Christ for you, and Christ for me? Shall any man or woman or child in this audience who has ever suffered for another find it hard to understand this Christly suffering for us? Shall those whose sympathies have been wrung in behalf of the unfortunate have no appreciation of that one moment which was lifted out of all the ages of eternity as most conspicuous, when Christ gathered up all the sins of those to be redeemed under His one arm, and all their sorrows under His other arm, and said: "I will atone for these under my right arm, and will heal all those under my left arm. Strike me with all thy glittering shafts, O Eternal Justice! Roll over me with all thy surges, ye oceans of sorrow"? And the thunderbolts struck Him from above, and the seas of trouble rolled up from beneath, hurricane after hurricane, and cyclone after cyclone, and then and there in presence of heaven and earth and hell, yea, all worlds witnessing, the price, the bitter price, the transcendent price, the awful price, the glorious price, the infinite price, the eternal price, was paid that sets us free.
That is what Paul means, that is what I mean, that is what all those who have ever had their heart changed mean by "blood." I glory in this religion of blood! I am thrilled as I see the suggestive color in sacramental cup, whether it be of burnished silver set on cloth immaculately white, or rough-hewn from wood set on table in log-hut meeting-house of the wilderness. Now I am thrilled as I see the altars of ancient sacrifice crimson with the blood of the slain lamb, and Leviticus is to me not so much the Old Testament as the New. Now I see why the destroying angel passing over Egypt in the night spared all those houses that had blood sprinkled on their door-posts. Now I know what Isaiah means when he speaks of "one in red apparel coming with dyed garments from Bozrah;" and whom the Apocalypse means when it describes a heavenly chieftain whose "vesture was dipped in blood;" and what Peter, the apostle, means when he speaks of the "precious blood that cleanseth from all sin;" and what the old, worn-out, decrepit missionary Paul means when, in my text, he cries, "Without shedding of blood is no remission." By that blood you and I will be saved—or never saved at all. In all the ages of the world God has not once pardoned a single sin except through the Saviour's expiation, and He never will. Glory be to God that the hill back of Jerusalem was the battle-field on which Christ achieved our liberty!