| Monday | . . | The Merry Wives of Windsor. |
| Tuesday | . . | The Iron Chest and Betsy Baker. |
| Wednesday | . . | Hamlet. |
| Thursday | . . | The Merry Wives of Windsor. |
| Acting Manager, Mr Emden. | Stage Manager, Mr G. Ellis. |
| Musical Director, Mr R. Hughes. | Ballet Master, Mr Flexmore. |
Dress Circle 5/. Boxes 4/. Pit 2/. Gallery 1/.
Second price: Dress Circle 2/6. Boxes 2/. Pit 1/. Gallery 6d.
Orchestra stalls 6/, which may be retained entire evening.
Private Boxes £2. 12s. 6d.; £2. 2s. 0d.; & £1. 11s. 6d.
Box Office open from 11 to 5 o'clock. Doors open at 6.30.
Performance to commence at 7.0. Half price will commence as near 9.0 as is consistent with the non-interruption of the performance. Gallery door in Castle Street. Children in arms cannot possibly be admitted. Private boxes & stalls may be obtained at the libraries; & of Mr Massingham at Box Office of the Theatre, Oxford St., where places for Dress Circle and Boxes may be secured.
Applications respecting the bills to be addressed to Mr Treadaway,
Stage Door.
VIVANT REGINA ET PRINCEPS.
The result of her father's wise policy was that Kate Terry was fully equipped when, in 1860, she commenced her engagement at the St. James's Theatre, under the management of Mr. Alfred Wigan, whose company included Miss Herbert (who soon became the manageress of the house), Mrs. Alfred Wigan, Miss Nelly Moore, Mr. Terry, Mr. Dewar, and Mr. Emery. Young, beautiful, gifted, well practised in the art that she evidently loved, Kate Terry was well calculated to secure the praise of the critics and the heart of the public. At first the characters entrusted to her were comparatively small, but she industriously tended the firmly planted sapling that was destined to grow, flourish, and yield glorious as well as abundant fruit.
Even the greatest of histrionic geniuses have to wait for their chances, and Kate Terry's first real opportunity did not come until 1862.