The “hobby-horse,” another personage of the morris-dance on May day, was occasionally omitted, and appears to have given rise to a popular ballad, a line of which is given by “Hamlet” (iii. 2):
“For, O, for, O, the hobby-horse is forgot.”
This is quoted again in “Love’s Labour’s Lost” (iii. 1). The hobby-horse was formed by a pasteboard horse’s head, and a light frame made of wicker-work to join the hinder parts. This was fastened round the body of a man, and covered with a foot-cloth which nearly reached the ground, and concealed the legs of the performer, who displayed his antic equestrian skill, and performed various juggling tricks, to the amusement of the bystanders. In Sir Walter Scott’s “Monastery” there is a spirited description of the hobby-horse.
The term “hobby-horse” was applied to a loose woman, and in the “Winter’s Tale” (i. 2) it is so used by Leontes, who says to Camillo:
“Then say
My wife’s a hobby-horse; deserves a name
As rank as any flax-wench, that puts to
Before her troth-plight.”
In “Othello” (iv. 1), Bianca, speaking of Desdemona’s handkerchief, says to Cassio: “This is some minx’s token, and I must take out the work! There, give it your hobby-horse.” It seems also to have denoted a silly fellow, as in “Much Ado About Nothing” (iii. 2), where it is so used by Benedick.
Another character was Friar Tuck, the chaplain of Robin Hood, and as such is noticed in the “Two Gentlemen of Verona” (iv. 1), where one of the outlaws swears:
“By the bare scalp of Robin Hood’s fat friar.”
He is also represented by Tollet as a Franciscan friar in the full clerical tonsure, for, as he adds, “When the parish priests were inhibited by the diocesan to assist in the May games, the Franciscans might give attendance, as being exempted from episcopal jurisdiction.”[660]
It was no uncommon occurrence for metrical interludes of a comic species, and founded on the achievements of the outlaw Robin Hood, to be performed after the morris, on the May-pole green. Mr. Drake thinks that these interludes are alluded to in “Twelfth Night” (iii. 4), where Fabian exclaims, on the approach of Sir Andrew Aguecheek with his challenge, “More matter for a May morning.”