Minnow. This little fish, from its insignificant character, is used by “Coriolanus” (iii. 1) as a term of contempt: “Hear you this Triton of the minnows?” and, again, in “Love’s Labour’s Lost” (i. 1), it occurs: “‘that base minnow of thy mirth.’”
Pike. An old name for this fish was luce. In the “Merry Wives of Windsor” (i. 1) we are told that “The luce is the fresh fish.” There can be no doubt, too, that there is in this passage an allusion to the armorial bearings of Shakespeare’s old enemy, Sir Thomas Lucy. Among the various instances of the use of this term we may quote Isaac Walton, who says: “The mighty luce or pike is taken to be the tyrant, as the salmon is the king, of the fresh waters.” Stow, in his “Survey of London,” describes a procession of the Fishmongers’ Company in 1298, as having horses painted like sea-luce: “Then four salmons of silver on foure horses, and after them sixe and fortie armed knightes riding on horses made like luces of the sea.”
Porpoise. According to sailors, the playing of porpoises round a ship is a certain prognostic of a violent gale of wind; hence the allusion in “Pericles” (ii. 1), where one of the fishermen says, speaking of the storm: “Nay, master, said not I as much, when I saw the porpus, how he bounced and tumbled?” Thus, too, in the “Canterbury Guests, or a Bargain Broken,” by Ravenscroft, we read: “My heart begins to leap and play, like a porpice before a storm.” And a further reference occurs in Wilsford’s “Nature’s Secrets:” “Porpoises, or sea-hogs, when observed to sport and chase one another about ships, expect then some stormy weather.”
Sea-monster. The reference in “King Lear” (i. 4), to the “sea-monster”—
“Ingratitude, thou marble-hearted fiend,
More hideous, when thou show’st thee in a child,
Than the sea-monster!”—
is generally supposed to be the hippopotamus, which, according to Upton, was the hieroglyphical symbol of impiety and ingratitude.[935] Sandys[936] gives a picture said to be portrayed in the porch of the temple of Minerva, at Sais, in which is the figure of a river-horse, denoting “murder, impudence, violence, and injustice; for they say that he killeth his sire and ravisheth his own dam.” His account is, no doubt, taken from Plutarch’s “Isis and Osiris;” and Shakespeare may have read it in Holland’s translation (p. 1300), but why he should call the river-horse a “sea-monster” is not very clear. It is more likely, however, that the whale is meant.[937]
FOOTNOTES:
[924] See Harting’s “Ornithology of Shakespeare,” 1871, p. 3.
[925] “The Antiquary,” 1881, vol. iv. p. 193.
[926] Ibid.