Ordinary. This was a public dinner, where each paid his share, an allusion to which custom is made by Enobarbus, in “Antony and Cleopatra” (ii. 2), who, speaking of Antony, says:
“Being barber’d ten times o’er, goes to the feast,
And, for his ordinary, pays his heart
For what his eyes eat only.”
Again, in “All’s Well that Ends Well” (ii. 3), Lafeu says: “I did think thee, for two ordinaries, to be a pretty wise fellow; thou didst make tolerable vent of thy travel.”
The “ordinary” also denoted the lounging-place of the men of the town, and the fantastic gallants who herded together. They were, says the author of “Curiosities of Literature” (vol. iii. p. 82), “the exchange for news, the echoing-places for all sorts of town talk; there they might hear of the last new play and poem, and the last fresh widow sighing for some knight to make her a lady; these resorts were attended also to save charges of housekeeping.”
Drinking Customs. Shakespeare has given several allusions to the old customs associated with drinking, which have always varied in different countries. At the present day many of the drinking customs still observed are very curious, especially those kept up at the universities and inns-of-court.
Alms-drink was a phrase in use, says Warburton, among good fellows, to signify that liquor of another’s share which his companion drank to ease him. So, in “Antony and Cleopatra” (ii. 7) one of the servants says of Lepidus: “They have made him drink alms-drink.”
By-drinkings. This was a phrase for drinkings between meals, and is used by the Hostess in “1 Henry IV.” (iii. 3), who says to Falstaff: “You owe money here besides, Sir John, for your diet, and by-drinkings.”
Hooped Pots. In olden times drinking-pots were made with hoops, so that, when two or more drank from the same tankard, no one should drink more than his share. There were generally three hoops to the pots: hence, in “2 Henry VI.” (iv. 2), Cade says: “The three-hooped pot shall have ten hoops.” In Nash’s “Pierce Pennilesse” we read: “I believe hoopes on quart pots were invented that every man should take his hoope, and no more.”
The phrases “to do a man right” and “to do him reason” were, in years gone by, the common expressions in pledging healths; he who drank a bumper expected that a bumper should be drunk to his toast. To this practice alludes the scrap of a song which Silence sings in “2 Henry IV.” (v. 3):
“Do me right,
And dub me knight:
Samingo.”