"Madam, you have attained your end.
You and I shall meet no more in this world." [ToList]
He would allow no explanation, and almost immediately left his home and country, never to meet again the woman who had so basely betrayed him. The glory of Bulgaden Hall was gone. Its young master, in order to quench his sorrow and bury his disgust, gave way to every kind of dissipation, and died its victim in 1769. And, writes Sir Bernard Burke, "from the period of its desertion by its luckless master, Bulgaden Hall gradually sank into ruin; and to mark its site nought remains but the foundation walls and a solitary stone, bearing the family arms."
A strange incident, of which, it is said, no satisfactory explanation has ever yet been forthcoming, happened during the wedding banquet of Alexander III. at Jedburgh Castle, a weird and gruesome episode which Edgar Poe expanded into his "Masque of the Red Death." The story goes that in the midst of the festivities, a mysterious figure glided amongst the astonished guests—tall and gaunt, and shrouded from head to foot in the habiliments of the grave, the mask which concealed the visage resembling the countenance of a stiffened corpse.
"Who dares," demands the royal host, "to insult us with this blasphemous mockery? Seize him and unmask him, that we may know whom we have to hang at sunrise from the battlements."
But when the awe-struck revellers took courage and grasped the figure, "they gasped in unutterable horror on finding the grave cerements and corpse-like mask, which they handled with so violent a rudeness, untenanted by any tangible form, vanishing as suddenly as it had appeared." All sorts of theories have been suggested to account for this mysterious figure, but no satisfactory solution has been forthcoming, an incident of which, it may be remembered, Heywood has given a graphic picture:
In the mid-revels, the first ominous night
Of their espousals, when the room shone bright
With lighted tapers—the king and queen leading
The curious measures, lords and ladies treading
The self-same strains—the king looks back by chance
And spies a strange intruder fill the dance,
Namely, a mere anatomy, quite bare,
His naked limbs both without flesh and hair
(As he deciphers Death), who stalks about,
Keeping true measure till the dance be out.
Inexplicable, however, as the presence of this unearthly, mysterious personage was felt to be by all engaged in the marriage revels, it was regarded as the forerunner of some approaching catastrophe. Prophets and seers lost no time in turning the affair to their own interest, and amongst them Thomas the Rhymer predicted that the 16th of March would be "the stormiest day that ever was witnessed in Scotland." But when the supposed ill-fated day arrived, it was the very reverse of stormy, being still and mild, and public opinion began to ridicule the prophetic utterance of Thomas the Rhymer, when, to the amazement and consternation of all, there came the appalling news, "The king is dead," whereupon Thomas the Rhymer ejaculated, "That is the storm which I meant, and there was never tempest which will bring to Scotland more ill-luck."
The disappearance of the heir to a property, which has always been a favourite subject with novelists and romance writers, has occasionally happened in real life, and a Shropshire legend relates how, long ago, the heir of the house of Corbet went away to the wars, and remained absent so many years that his family—as in the case of Enoch Arden—gave up all hope of ever seeing him again, and eventually mourned for him as dead. His younger brother succeeded to the property, and prepared to take to himself a wife, and reign in the old family hall.
But on the wedding day, in the midst of the feasting, a pilgrim came to the gate asking hospitality and alms. He was bidden to sit down and share the feast, but scarcely was the banquet ended when the pilgrim revealed himself as the long lost elder brother. The disconcerted bridegroom acknowledged him at once, but the latter generously resigned the greater part of the estates to his brother, and, sooner than mar the prospects of the newly married couple, he lived a life of obscurity upon one small manor. There seems, however, to be a very small basis of fact for this story. The Corbets of Shropshire—one branch of whom are owners of Moreton Corbet—are among the very oldest of the many old Shropshire families. They trace their descent back to Corbet the Norman, whose sons, Robert and Roger, appear in Domesday Book as holding large estates under Roger, Earl of Shrewsbury. The grandsons of Roger Corbet were Thomas Corbet of Wattlesborough, and Robert Corbet. Thomas, who was evidently the elder of the two, it seems went beyond seas, leaving his lands in the custody of his brother Robert. Both brothers left descendants, but the elder branch of the family never attained to such rank and prosperity as the younger one." Hence, perhaps, the origin of the legend; but Moreton Corbet did not come into the possession of the family till long after this date.[15]