An old Alsatian belief tells us that bats possessed the power of rendering the eggs of storks unfruitful. Accordingly, when once a stork's egg was touched by a bat it became sterile; and in order to preserve it from the injurious influence, the stork placed in its nest some branches of the maple, which frightened away every intruding bat. [2] There is an amusing legend of the origin of the bramble:—The cormorant was once a wool merchant. He entered into partnership with the bramble and the bat, and they freighted a large ship with wool. She was wrecked, and the firm became bankrupt. Since that disaster the bat skulks about till midnight to avoid his creditors, the cormorant is for ever diving into the deep to discover its foundered vessel, while the bramble seizes hold of every passing sheep to make up his loss by stealing the wool.

Returning to the rose, we may quote one or two legendary stories relating to its origin. Thus Sir John Mandeville tells us how when a holy maiden of Bethlehem, "blamed with wrong and slandered," was doomed to death by fire, "she made her prayers to our Lord that He would help her, as she was not guilty of that sin;" whereupon the fire was suddenly quenched, and the burning brands became red "roseres," and the brands that were not kindled became white "roseres" full of roses. "And these were the first roseres and roses, both white and red, that ever any man soughte." Henceforth, says Mr. King,[3] the rose became the flower of martyrs. "It was a basket full of roses that the martyr Saint Dorothea sent to the notary of Theophilus from the garden of Paradise; and roses, says the romance, sprang up all over the field of Ronce-vaux, where Roland and the douze pairs had stained the soil with their blood."

The colour of the rose has been explained by various legends, the Turks attributing its red colour to the blood of Mohammed. Herrick, referring to one of the old classic stories of its divine origin, writes:—

"Tis said, as Cupid danced among the gods, he down the
nectar flung,
Which, on the white rose being shed, made it for ever after red."

A pretty origin has been assigned to the moss-rose (Rosa muscosa):— "The angel who takes care of flowers, and sprinkles upon them the dew in the still night, slumbered on a spring day in the shade of a rosebush, and when she awoke she said, 'Most beautiful of my children, I thank thee for thy refreshing odour and cooling shade; could you now ask any favour, how willingly would I grant it!' 'Adorn me then with a new charm,' said the spirit of the rose-bush; and the angel adorned the loveliest of flowers with the simple moss."

A further Roumanian legend gives another poetic account of the rose's origin. "It is early morning, and a young princess comes down into her garden to bathe in the silver waves of the sea. The transparent whiteness of her complexion is seen through the slight veil which covers it, and shines through the blue waves like the morning star in the azure sky. She springs into the sea, and mingles with the silvery rays of the sun, which sparkle on the dimples of the laughing waves. The sun stands still to gaze upon her; he covers her with kisses, and forgets his duty. Once, twice, thrice has the night advanced to take her sceptre and reign over the world; twice had she found the sun upon her way. Since that day the lord of the universe has changed the princess into a rose; and this is why the rose always hangs her head and blushes when the sun gazes on her." There are a variety of rose-legends of this kind in different countries, the universal popularity of this favourite blossom having from the earliest times made it justly in repute; and according to the Hindoo mythologists, Pagoda Sin, one of the wives of Vishnu, was discovered in a rose—a not inappropriate locality.

Like the rose, many plants have been extensively associated with sacred legendary lore, a circumstance which frequently explains their origin. A pretty legend, for instance, tells us how an angel was sent to console Eve when mourning over the barren earth. Now, no flower grew in Eden, and the driving snow kept falling to form a pall for earth's untimely funeral after the fall of man. But as the angel spoke, he caught a flake of falling snow, breathed on it, and bade it take a form, and bud and blow. Ere it reached the ground it had turned into a beautiful flower, which Eve prized more than all the other fair plants in Paradise; for the angel said to her:—

"This is an earnest, Eve, to thee,
That sun and summer soon shall be."

The angel's mission ended, he departed, but where he had stood a ring of snowdrops formed a lovely posy.

This legend reminds us of one told by the poet Shiraz, respecting the origin of the forget-me-not:—"It was in the golden morning of the early world, when an angel sat weeping outside the closed gates of Eden. He had fallen from his high estate through loving a daughter of earth, nor was he permitted to enter again until she whom he loved had planted the flowers of the forget-me-not in every corner of the world. He returned to earth and assisted her, and they went hand in hand over the world planting the forget-me-not. When their task was ended, they entered Paradise together; for the fair woman, without tasting the bitterness of death, became immortal like the angel, whose love her beauty had won, when she sat by the river twining the forget-me-not in her hair." This is a more poetic legend than the familiar one given in Mill's "History of Chivalry," which tells how the lover, when trying to pick some blossoms of the myosotis for his lady-love, was drowned, his last words as he threw the flowers on the bank being "Forget me not." Another legend, already noticed, would associate it with the magic spring-wort, which revealed treasure-caves hidden in the mountains. The traveller enters such an opening, but after filling his pockets with gold, pays no heed to the fairy's voice, "Forget not the best," i.e., the spring-wort, and is severed in twain by the mountain clashing together.