A similar experience is recorded by Mr. John Lean in the ‘West Briton,’ who relates how, when he was underground hundreds of fathoms distant from any other human being at Wheal Jewell, a mine in the parish of Gwennap, ‘as he was walking slowly and silently through the level, his thoughts, as it were, absorbed, examining the rich course of copper ore in the roof or back, he was aroused as though by an audible voice, “You are in the winze!” He at once threw himself flat on his back in the bottom of the level, and on shifting from this posture to that of a sitting one, he discovered that his heels were on the verge of the end of a winze, left exposed and open, embracing all the width of the gunnis, communicating with the next level, ten fathoms below. At the moment he received this singular warning, his foot was lifted for the next step over the mouth of this abyss, a step to eternity, had it not thus been prevented.’

On the Continent, similar tales of phantoms haunting mines are current. In the mines about Clausthal and Andreasberg a spectre was formerly seen who went by the name of the ‘Bergmönch.’ He was clad as a monk, but was of gigantic stature, and always carried in his hand a large tallow candle, which never went out. When the miners entered in the morning, he would stand at the aperture with his light, letting them pass under it. It appears that the Bergmönch was formerly a burgomaster or director, who took such delight in mining that, when at the point of death, he prayed that instead of resting in heaven, he might wander about till the last day, over hill and dale, in pits and shafts, and superintend the mining. To those towards whom he is well disposed he renders many a kind service, and appears to them in a human form and of ordinary stature; while to others he appears in his true form. His eyes sprout forth flames, and are like coach-wheels; his legs are like spiders’ webs.[235] Associated, too, with the German miners’ superstitious fancies is the belief in the ‘Cobal,’ or ‘Kobold,’ a supernatural being who is generally malicious, and rarely heard but when mischief is near. But still more to be feared were the ‘Knauff-kriegen,’ of whom Professor Ramazzini of Padua thus writes:

‘I took the story of devils haunting mines to be fabulous, until I was undeceived by a skilful Hanoverian operator in metals, who is now employed by our duke in tracing the metallic veins in the mountainous parts of Modena. For this man told me seriously, that in the Hanoverian mines the diggers have frequent falls, which they say are occasioned by their being knocked down by devils, which they call “Knauff-kriegen,” and that after such falls they often die in the space of three or four days; but if they outlive that time they recover.’

French mines are haunted, and many tales are told of a spectral hare which at times is seen. One story tells how ‘a miner was frightened one day by seeing a white object run and conceal itself in an iron pipe. He went forward, and stopped up the two ends of the tube, and called one of his fellow men to examine the pipe with him. They did so, but found nothing within, the hare spirit had vanished.’[236] ‘Similarly at Wheal Vor,’ says Mr. Hunt,[237] ‘it has always been and is now believed that a fatal accident in the mine is presaged by the appearance of a hare, or white rabbit, in one of the engine houses. The men solemnly declare that they have chased these appearances till they were hemmed in apparently, without being able to catch them; and they tell how the white rabbit on one occasion was run into a “windbore” lying on the ground, and though stopped in, escaped.’ With this belief may be compared one which was common in Sussex a few years ago, closely resembling the French superstition of the Fétiches, animals of a dazzling whiteness which appear only in the night-time, and vanish as soon as anyone attempts to touch them. A blacksmith’s wife at Ashington, the daughter of a small farmer, was found one morning much depressed in mind, and on being questioned as to the cause of it said, ‘I shall hear bad news before the day is over; for late last night as I was waiting for my husband what should I see on looking out of the window, lying close under it, but a thing like a duck, yet a great deal whiter than it ought to have been, whiter than any snow.’ It was suggested that it might have been a neighbour’s cat, and that it looked whiter than usual on account of the moonlight. ‘Oh, dear no!’ she replied, ‘it was no cat, nor anything alive; those white things were sent as warnings,’ but no sad news came as she expected.[238] She nevertheless remained firmly convinced that a warning of some kind had been supernaturally sent to her.

CHAPTER XX
THE BANSHEE

One of the grandest and wildest legends of Ireland is that relating to the Banshee—a mysterious personage, generally supposed to be the harbinger of some approaching misfortune. The name of the Banshee ‘is variously pronounced Banshi and Benshee, being translated by different scholars, the “Female Fairy,” the “Woman of Peace,” the “Lady of Death,” the “Angel of Death,” the “White Lady of Sorrow,” the “Nymph of the Air,” and the “Spirit of the Air.”’ The many romantic incidents in which this weird figure has, at different times, made its appearance are treasured up among the household stories of our Irish peasantry. It must not be forgotten that in a country abounding in natural beauties such a superstition would harmonise with the surroundings of the picturesque scenery, and so gain a firm hold on the mind of the inhabitants.

Unlike, also, many of the legendary beliefs of this kind, the popular accounts illustrative of it are related on the evidence of all sections of the community, many an enlightened and well-informed advocate being enthusiastic in his vindication of its reality. It would seem, however, that no family which is not of an ancient and noble stock is honoured with this visit of the Banshee, and hence its non-appearance has been regarded as an indication of disqualification in this respect on the part of the person about to die. ‘If I am rightly informed,’ writes Sir Walter Scott, ‘the distinction of a Banshee is only allowed to families of the pure Milesian stock, and is never ascribed to any descendant of the proudest Norman or boldest Saxon who followed the banner of Strongbow, much less to adventurers of later date who have obtained settlements in the Green Isle.’ Thus, an amusing story is contained in an Irish elegy to the effect that on the death of one of the Knights of Kerry, when the Banshee was heard to lament his decease at Dingle—a seaport town, the property of those knights—all the merchants of this place were thrown into a state of alarm lest the mournful and ominous wailing should be a forewarning of the death of one of them, but, as the poet humorously points out, there was no necessity for them to be anxious on this point. Although, through misfortune, a family may be brought down from high estate to the rank of peasant tenants, the Banshee never leaves nor forgets it till the last member has been gathered to his fathers in the churchyard. The MacCarthys, O’Flahertys, Magraths, O’Neils, O’Rileys, O’Sullivans, O’Reardons, have their Banshees, though many representatives of these names are in abject poverty.[239]

‘The Banshee,’ says Mr. McAnally, ‘is really a disembodied soul, that of one who in life was strongly attached to the family, or who had good reason to hate all its members. Thus, in different instances, the Banshee’s song may be inspired by different motives. When the Banshee loves those whom she calls, the song is a low, soft chant, giving notice, indeed, of the close proximity of the angel of death, but with a tenderness of tone that reassures the one destined to die, and comforts the survivors; rather a welcome than a warning, and having in its tones a thrill of exultation, as though the messenger spirit were bringing glad tidings to him summoned to join the waiting throng of his ancestors.’ To a doomed member of the family of the O’Reardons the Banshee generally appears in the form of a beautiful woman, ‘and sings a song so sweetly solemn as to reconcile him to his approaching fate.’ But if, during his lifetime, the Banshee was an enemy of the family, the cry is the scream of a fiend, howling with demoniac delight over the coming death agony of another of his foes.

Hence, in Ireland, a source of dread to many a family against which she has an enmity is the ‘hateful Banshee.’ ‘It appears,’ adds McAnally,[240] ‘that a noble family, whose name is still familiar in Mayo, is attended by a Banshee of this description—the spirit of a young girl, deceived, and afterwards murdered by a former head of the family. With her dying breath she cursed her murderer, and promised she would attend him and his for ever. After many years the chieftain reformed his ways, and his youthful crime was almost forgotten even by himself, when one night, as he and his family were seated by the fire, the most terrible shrieks were suddenly heard outside the castle walls. All ran out, but saw nothing. During the night the screams continued as though the castle were besieged by demons, and the unhappy man recognised in the cry of the Banshee the voice of the young girl he had murdered. The next night he was assassinated by one of his followers, when again the wild unearthly screams were heard exulting over his fate. Since that night the “hateful Banshee” has, it is said, never failed to notify to the family, with shrill cries of revengeful gladness, when the time of one of their number has arrived.’